"Release And Farewell" by Daniel Tarrab, Andrés Goldstein had its release date on February 16, 2006. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Andrés Goldstein, Daniel Tarrab's "La Puta Y La Ballena (Original Soundtrack)" album is number 10 out of 19. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Release And Farewell is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Release And Farewell by Daniel Tarrab, Andrés Goldstein to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Return of Spring | Philipp Alexander Geitmann | D Major | 1 | 10B | 91 BPM | ||
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM | ||
| I Want You to Be Happy | Joy Ngiaw | F Minor | 1 | 4A | 87 BPM | ||
| Kauffman | Fernando Velázquez | G Minor | 0 | 6A | 86 BPM | ||
| The Man Who Wasn't There (The Trial of Ed Crane) | Brussells Philharmonic, Dirk Brossé | D Major | 2 | 10B | 107 BPM | ||
| Eleanor of Aquitaine | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM | ||
| La melodia sospesa | Nicola Piovani | A Minor | 1 | 8A | 60 BPM | ||
| Adriano and Paolas Theme | Paolo Vivaldi | A Minor | 4 | 8A | 108 BPM | ||
| El Lado Bueno | Ambientes Misticos | F Minor | 1 | 4A | 67 BPM | ||
| Tu NN no es Blanca | Andrés Goldstein, Daniel Tarrab | B♭ Minor | 1 | 3A | 147 BPM | ||
| Close Your Eyes - Instrumental | Osvaldo Golijov, Kronos Quartet | G Minor | 1 | 6A | 89 BPM | ||
| Town Of Austere ("Fireflies In The Garden") | Alexander Malter, Vincent Trio, Dresdner Sinfoniker, Jonathan Stockhammer | A Minor | 1 | 8A | 120 BPM | ||
| You Are Not Alone | Angelo Milli | F♯ Minor | 2 | 11A | 68 BPM | ||
| The Competition | Guy Farley | B Minor | 2 | 10A | 68 BPM | ||
| Rooms Behind Rooms | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Anthony and Atia | Jeff Beal | E Minor | 5 | 9A | 117 BPM | ||
| Dance Theme var. II | Eleni Karaindrou, Maria Bildea, Sergiu Nastasa, Renato Ripo, Vangelis Christopoulos, Spyros Kazianis, Antonis Lagos, Dinos Hadjiiordanou, Camerata, Friends Of Music Orchestra | D Major | 0 | 10B | 111 BPM | ||
| We Got to Be Ready | Andrés Goldstein, Daniel Tarrab | C Minor | 1 | 5A | 63 BPM | ||
| Lost in Your Skies | Pietro Roffi | F Minor | 1 | 4A | 87 BPM | ||
| The Youth | Evgueni Galperine, Sacha Galperine | A Minor | 0 | 8A | 74 BPM | ||
| Un Psicópata | Daniel Tarrab, Andrés Goldstein | D Major | 0 | 10B | 68 BPM | ||
| End Title Wakefield | Aaron Zigman, Jean-Yves Thibaudet, Aaron Zigman Ensemble | A Minor | 0 | 8A | 65 BPM | ||
| Trincheras / Decadance | Alberto Iglesias | A Minor | 2 | 8A | 165 BPM |