Audrey Hepburn, Dimitri Tiomkin's ' "Prologue & Main Title - From The Unforgiven (1960)" was released on its scheduled release date, 1953. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 19 in Best AUDREY HEPBURN Early Movie Themes by Audrey Hepburn. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of Prologue & Main Title - From The Unforgiven (1960) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Prologue & Main Title - From The Unforgiven (1960) by Audrey Hepburn, Dimitri Tiomkin is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The London Theme | Elizabeth Taylor | C Major | 3 | 8B | 72 BPM | ||
| Amor | Andy Russell | G Major | 2 | 9B | 123 BPM | ||
| Medley: It Had To Be You / Shine | The Warner Bros. Studio Orchestra | E♭ Major | 6 | 5B | 106 BPM | ||
| Lovely - From Imitation of Life | Frank Skinner | A♭ Major | 1 | 4B | 81 BPM | ||
| The Song Is Ended (But the Melody Lingers On) | Dick Haymes | F Major | 2 | 7B | 86 BPM | ||
| On How To Be Lovely | Fred Astaire, Audrey Hepburn, Kay Thompson | F♯ Minor | 3 | 11A | 76 BPM | ||
| Spartacus - Love Theme | Alex North | A Minor | 2 | 8A | 96 BPM | ||
| Streetcar | Alex North, Ray Heindorf | A♭ Major | 0 | 4B | 86 BPM | ||
| Rear Window Suite: IV. Lisa - Finale | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | C Major | 2 | 8B | 68 BPM | ||
| The Sound of Classic Hits from Afar | Oldies Playing | E♭ Major | 1 | 5B | 132 BPM | ||
| Tea For Two | Blossom Dearie | B♭ Minor | 0 | 3A | 100 BPM | ||
| En Cas De Malheur: Tendre Sentiments | René Cloërec | C Minor | 2 | 5A | 92 BPM | ||
| I'll Walk Alone | Martha Tilton | E Minor | 1 | 9A | 80 BPM | ||
| So Tired | Kay Starr | F♯ Major | 0 | 2B | 93 BPM | ||
| All in the Golden Afternoon | Camarata Chorus and Orchestra, Darlene Gillespie | C Major | 1 | 8B | 94 BPM | ||
| Love | Nancy Adams | E♭ Major | 4 | 5B | 78 BPM | ||
| You and I | Arthur Freed, Denny Markass | D Major | 0 | 10B | 88 BPM | ||
| Yesterday (Recorded May 1942) | Gene Austin | G Major | 1 | 9B | 96 BPM | ||
| Moonglow And Love Theme | George Dunning, Morris Stoloff | B♭ Major | 2 | 6B | 99 BPM | ||
| When You're In Love | Jane Powell | A♭ Major | 1 | 4B | 106 BPM | ||
| Moon River - Alternate Take | Henry Mancini | C Minor | 4 | 5A | 83 BPM | ||
| Charmaine | Lucienne Delyle | F♯ Minor | 1 | 11A | 113 BPM | ||
| Put the Blame on Mame (Nightclub Version) | Rita Hayworth | C Minor | 4 | 5A | 83 BPM | ||
| Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
| La Spiaggia - Opening Theme | Piero Piccioni | C Minor | 4 | 5A | 83 BPM |