Trio No. 97 in D Major: Adagio cantabile by Franz Joseph Haydn, Netherlands Baryton Trio Song Details

"Trio No. 97 in D Major: Adagio cantabile" by Franz Joseph Haydn, Netherlands Baryton Trio had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Netherlands Baryton Trio's "Haydn: Baryton Trios" album is number 7 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Trio No. 97 in D Major: Adagio cantabile is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Trio No. 97 in D Major: Adagio cantabile by Franz Joseph Haydn, Netherlands Baryton Trio to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 26%
Loudness: -19.882 dB
Acousticness: 87%
Danceability: 21%
Energy: 12%
Instrumentalness: 85%
Liveness: 11%
Loudness: 67%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato	Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado	E Major	0	12B	63 BPM
Symphony in D Major, S. 31, "La Chasse": I. Grave - Allegro	Carl Stamitz, Matthias Bamert, London Mozart Players	F Major	0	7B	78 BPM
Sinfonia d'Opera: Allegro vivace	Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca	A Major	1	11B	88 BPM
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Simphonia V: Chaconne in D Major	Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza	D♭ Minor	2	12A	129 BPM
Harp Concerto in G Major: III. Vivace	Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi	G Major	1	9B	77 BPM
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro	Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett	D♭ Major	1	3B	117 BPM
Sinfonia Veneziana: II. Andantino grazioso	Antonio Salieri, Matthias Bamert, London Mozart Players	D Major	2	10B	104 BPM
String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro	Franz Joseph Haydn, Chiaroscuro Quartet	G Major	1	9B	101 BPM
Streichtrio Nr. 4 in Es-Dur, op. 7: Largo	Wenzel Pichl, Ensemble Agora	B♭ Major	0	6B	133 BPM
Symphony in G Major, Op. 11 No. 1: III. Allegro assai	Joseph Boulogne Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz	G Major	1	9B	98 BPM
Trio No. 71 in A Major: Menuet-Trio	Franz Joseph Haydn, Netherlands Baryton Trio	F♯ Minor	5	11A	101 BPM
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi	Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick	D♭ Minor	2	12A	81 BPM
Mass No. 5 in E-Flat Major, Hob. XXII:4, "Missa in honorem BVM", "Missa Sancti Josephi", "Grosse Orgelsolomesse": Agnus Dei	Joseph Haydn, Ann Hoyt, Luthien Brackett, Stephen Sands, Richard Lippold, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick	G Minor	2	6A	90 BPM
Waltzes, Op. 54, B. 105: I. Waltz No. 1: Moderato	Antonín Dvořák, Cecilia String Quartet	D♭ Minor	0	12A	81 BPM
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon	Jean-Philippe Rameau, Teodor Currentzis	A♭ Major	3	4B	64 BPM
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro	Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel	A Major	1	11B	100 BPM
Flute Concerto in A Minor, QV 5:238: III. Allegro assai	Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi	C Minor	1	5A	92 BPM
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace	George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli	B♭ Major	1	6B	132 BPM
Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": I. Adagio - Allegro	Joseph Haydn, English Chamber Orchestra, Jeffrey Tate	D Major	1	10B	136 BPM
Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro	George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra	B♭ Major	2	6B	101 BPM
Symphony No. 99 in E-Flat Major, Hob. I:99: IV. Finale. Vivace	Joseph Haydn, Kolner Kammerorchester, Helmut Müller-Brühl	G Minor	1	6A	99 BPM