Amit Jha, Riya Jha's ' "Hafta Chaar" was released on its scheduled release date, June 11, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Hafta Chaar and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Hafta Chaar is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hafta Chaar by Amit Jha, Riya Jha to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tohar Pyar Me | Annu Chaudhary, Naresh Jogi | C Minor | 8 | 5A | 76 BPM | ||
| Dubela Dumuthi | Sumanta, Subhashana | B Major | 5 | 1B | 144 BPM | ||
| Ashq Bankar Meri Ankhon Mein Lahu Aaya Hai | Ashif Sabri | D Major | 9 | 10B | 81 BPM | ||
| Diyana Barathe | Dukalu Yadav | F♯ Minor | 9 | 11A | 172 BPM | ||
| Te Akela Abe Wo | Gofelal Gendle | F♯ Major | 9 | 2B | 120 BPM | ||
| Godiye Me Rakha Maai | Pawan Singh | F♯ Minor | 8 | 11A | 80 BPM | ||
| Lengtai Pengtai | Krishnamoni Chutia, Nilakshi Neog | A Major | 7 | 11B | 63 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Ab Ja Ja Ja Sanam Bewafa | Jittu Khare Badal | D♭ Minor | 9 | 12A | 138 BPM | ||
| Pagalee Ke Bhesaba | Sannu Kumar | G Minor | 10 | 6A | 124 BPM | ||
| Future Ke Hubby Ji | Amit Jha, Priya Jha | E Major | 6 | 12B | 100 BPM | ||
| Bane Bane To | Nitin Dubey, Sharmila Biswas | F Minor | 9 | 4A | 120 BPM | ||
| Daani Ho Kar Kyon Chup Baitha | Shyam Singh Chouhan | A Major | 8 | 11B | 169 BPM | ||
| Bola Kahvaa Godvaai - From "Hamar Bhauji Lakhon Mein Ek" | Kalpana Patowary, Vinod Rathod, Rajesh Gupta, Vinod Bihari | F♯ Major | 8 | 2B | 90 BPM | ||
| Na Rahalu Ae Jaan Hamra Nasib Me | Gunjan Singh | D♭ Major | 9 | 3B | 146 BPM | ||
| Dila Bichai Delio Ge | Tiger Satish Das | B♭ Minor | 10 | 3A | 112 BPM | ||
| Saaton Bahiniyan Shakti Swaroop | Vinay Bihari, Rekha Rao, Palak | G Major | 10 | 9B | 138 BPM | ||
| E Sango Tanj (Ho Munda Romantic) | Prince Lal Purty, Ashrita Biruly | G Major | 8 | 9B | 115 BPM | ||
| Tu Karant Mare Chhi | Madhav Rai | B♭ Minor | 8 | 3A | 110 BPM | ||
| Turi Bawal Karhi Ka Re | Prem Anand Chauhan | F♯ Minor | 9 | 11A | 130 BPM | ||
| Mithila Hamar Pahchan Chhi | Amit Jha | F♯ Minor | 6 | 11A | 146 BPM | ||
| Deewana Kene Chi | Amit Jha, Priya Jha | C Major | 8 | 8B | 156 BPM | ||
| Nadiya Ke Pani - From "Dhanesh Ke Aaradhna" | Babita Goti | F♯ Major | 8 | 2B | 90 BPM | ||
| Haath Pakadtha | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Aag Chhat Ki Lag Jayegi | Jyoti Mahi | F♯ Major | 9 | 2B | 85 BPM |