Palestrina - Musical Legend In Three Acts / Act 1: Schönste, ungnäd'ge Dame by Hans Pfitzner, Brigitte Fassbaender, Helen Donath, Bavarian Radio Symphony Orchestra, Rafael Kubelik Song Details

"Palestrina - Musical Legend In Three Acts / Act 1: Schönste, ungnäd'ge Dame" by Hans Pfitzner, Brigitte Fassbaender, Helen Donath, Bavarian Radio Symphony Orchestra, Rafael Kubelik had its release date on January 1, 1989. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Pfitzner: Palestrina". In this album, this song's track order is #5. Palestrina - Musical Legend In Three Acts / Act 1: Schönste, ungnäd'ge Dame is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Palestrina - Musical Legend In Three Acts / Act 1: Schönste, ungnäd'ge Dame by Hans Pfitzner, Brigitte Fassbaender, Helen Donath, Bavarian Radio Symphony Orchestra, Rafael Kubelik having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.587 dB
Acousticness: 97%
Danceability: 35%
Energy: 11%
Instrumentalness: 0%
Liveness: 53%
Loudness: 66%
Speechiness: 8%
Valence: 13%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Palestrina, Act I Scene 3: Es drohet nicht von eitlen Dilettanten (Borromeo)	Hans Pfitzner, Peter Bronder, Britta Stallmeister, Claudia Mahnke, Wolfgang Koch, Johannes Martin Kränzle, Frank van Aken, Alfred Reiter, Magnus Baldvinsson, Peter Marsh, Franz Mayer, Michael Nagy, Richard Cox, Hans-Jurgen Lazar, Dietrich Volle, Sungkon K	E♭ Minor	1	2A	77 BPM
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied"	Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti	F Major	1	7B	85 BPM
Vier letzte Lieder: 1. Frühling	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	D Major	0	10B	98 BPM
Palestrina - Musical Legend In Three Acts / Act 1: Wie schön ist, was Ihr sagt	Hans Pfitzner, Nicolai Gedda, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík	D Minor	2	7A	74 BPM
Wagner: Tristan und Isolde, Act 1: "Tristan!... Isolde!" (Isolde, Tristan, Brangäne, Kurwenal, Chorus)	Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Waltraud Meier	D Major	1	10B	94 BPM
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet)	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	E Minor	2	9A	87 BPM
Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse)	Hector Berlioz, Leonard Bernstein, Orchestre National De France	C Major	1	8B	85 BPM
Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): III. Scherzo. Schnell – Trio. Langsamer	Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa	C Minor	1	5A	109 BPM
Palestrina - Musical legend in three acts / Act 2: So wird, was in den letzten Wochen	Hans Pfitzner, Dietrich Fischer-Dieskau, Heribert Steinbach, Bavarian Radio Symphony Orchestra, Rafael Kubelik	F Major	2	7B	78 BPM
Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée"	Georges Bizet, Scottish National Orchestra, Alexander Gibson	B Major	0	1B	71 BPM
Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi	Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic, Sir Charles Mackerras	D♭ Major	1	3B	62 BPM
Palestrina - Musical Legend In Three Acts / Act 1: Ighino, sieh doch, komm herein!	Hans Pfitzner, Brigitte Fassbaender, Helen Donath, Bavarian Radio Symphony Orchestra, Rafael Kubelík	D Major	1	10B	125 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version)	Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen	G Major	0	9B	131 BPM
Von deutscher Seele, Op. 28: Pt. I: Wenn der Hahn kräht auf dem Dache	Hans Pfitzner, Solveig Kringelborn, Nathalie Stutzmann, Christopher Ventris, Robert Holl, Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Ingo Metzmacher	E Major	1	12B	178 BPM
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!"	Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan	G Major	4	9B	93 BPM
Eugene Onegin, Op. 24, TH 5 / Act III: Scene and Aria. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!"	Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus	E Minor	2	9A	78 BPM
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen	Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin	E♭ Major	2	5B	133 BPM
Parsifal, Act I: Enthüllet den Gral! – Nehmet hin meinen Leib	Richard Wagner, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin	B Major	0	1B	71 BPM
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi	Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras	E Major	1	12B	98 BPM
Cavalleria rusticana: Introduzione	Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano	C Major	3	8B	166 BPM
Götterdämmerung, Prologue: Mehr gabst du, Wunderfrau, als ich zu wahren weiss	Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan	F Major	4	7B	71 BPM
Verdi: Messa da Requiem: V. Mors stupebit	Giuseppe Verdi, Claudio Abbado, Julian Konstantinov, Berliner Philharmoniker	F Major	0	7B	117 BPM
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest"	Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti	E♭ Major	2	5B	128 BPM
Parsifal, Act I: Recht so! Habt Dank! Ein wenig Rast!	Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan	B Major	0	1B	71 BPM
Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme"	Georges Bizet, Alexander Gibson, Scottish National Orchestra	B Major	0	1B	71 BPM