Mariano Mores's 'El Firulete' had a release date set for January 9, 1952. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mariano Mores's "La Morocha" album is number 6 out of 19. On top of that, Germany appears to be the country where this track was created. The popularity of El Firulete is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of El Firulete by Mariano Mores to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milonga de mis amores - Remastered | Francisco Canaro Y Su Orquesta Tipica | A♭ Major | 4 | 4B | 83 BPM | ||
| Quejas de bandoneón | Florindo Sassone Y Su Orquesta | D Major | 3 | 10B | 113 BPM | ||
| Nochero Soy | Color Tango | A Minor | 3 | 8A | 116 BPM | ||
| Todo o nada - Instrumental | Fabio Hager Sexteto | D Minor | 5 | 7A | 135 BPM | ||
| Historia de un Amor (with Rodolfo Lesica) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica | F Minor | 4 | 4A | 126 BPM | ||
| Percal - Cafetín De Buenos Aires | Orquesta Nacional | D Minor | 3 | 7A | 123 BPM | ||
| Los Mareados | Raúl Lavié | F Minor | 4 | 4A | 86 BPM | ||
| Remembranza | La Juan D'Arienzo | C Major | 4 | 8B | 135 BPM | ||
| Ladrillo | Paco Medina | D Major | 2 | 10B | 114 BPM | ||
| Arrabalera | Quinteto Pirincho | B♭ Minor | 6 | 3A | 101 BPM | ||
| Uno (Arr. for Viola and Ensemble by Joan Albert Amargós) | Mariano Mores, Dana Zemtsov, Anna Fedorova, Nicholas Schwartz, Angelo Verploegen | B♭ Major | 1 | 6B | 93 BPM | ||
| Mi Buenos Aires Querida | Hugo Díaz | C Major | 4 | 8B | 103 BPM | ||
| Milonga del 38 | Miguel Villasboas y Su Orquesta Típica | F Minor | 6 | 4A | 107 BPM | ||
| Antiguo Reloj De Cobre | Miguel Montero | F♯ Minor | 3 | 11A | 91 BPM | ||
| Gricel | Mariano Mores, Gran Orquesta Popular | D Major | 2 | 10B | 80 BPM | ||
| Mi Bandoneon Y Yo | Rubén Juárez, Carlos Garcia | B♭ Major | 2 | 6B | 110 BPM | ||
| Silbando | Trio Pantango, Dirk Luking | C Major | 2 | 8B | 119 BPM | ||
| Sin Palabras (Transcr. Klett for Quartet) | Mariano Mores, Cuarteto Soltango | D Minor | 1 | 7A | 119 BPM | ||
| De Puro Curda | Alfredo Belusi | G Major | 5 | 9B | 147 BPM | ||
| Como Dos Extraños | Horacio Molina | C Major | 4 | 8B | 71 BPM | ||
| Vencida | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 4 | 9B | 141 BPM | ||
| Anclao En Paris | Rubén Juárez | G Major | 4 | 9B | 110 BPM | ||
| No Me Supiste Amar | Orquesta Carlos di Sarli, Horacio Casares | A Minor | 3 | 8A | 121 BPM | ||
| Milonguero Viejo - 3ª Versión | Carlos Di Sarli y su Orquesta Típica | E Major | 4 | 12B | 115 BPM | ||
| La cumparsita | Nelly Omar | E Minor | 3 | 9A | 61 BPM |