Come On Bitch Move (Hasswut Remix)
Proyecto Crisis, Hasswut
Under Control (Remix)
3:10 November 6, 2017
BPM
115
Key
E♭ Major
Camelot
5B

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Come On Bitch Move (Hasswut Remix) by Proyecto Crisis, Hasswut Song Details

Proyecto Crisis, Hasswut's 'Come On Bitch Move (Hasswut Remix)' had a release date set for November 6, 2017. Come On Bitch Move (Hasswut Remix) is considered explicit and may contain foul language. This song is about 3 minutes and 10 seconds, which is about the average length of a typical song. There are a total of 15 in the song's album "Under Control (Remix)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Come On Bitch Move (Hasswut Remix) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Come On Bitch Move (Hasswut Remix) by Proyecto Crisis, Hasswut having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-4.479 dB
Acousticness
0%
Danceability
60%
Energy
97%
Instrumentalness
86%
Liveness
22%
Loudness
93%
Speechiness
6%
Valence
38%

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ISRC
GB-SMU-32-25813
Label
L-M Records/RCA Records