Boy Smith's 'Raid On London - 20 August 1941' had a release date set for April 28, 2008. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "The Blitz (Vols. 1 & 2)". In this album, this song's track order is #19. The popularity of Raid On London - 20 August 1941 is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Raid On London - 20 August 1941 by Boy Smith having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bonus: D-Day Message (June 6, 1944) | Dwight Eisenhower | A Major | 2 | 11B | 56 BPM | ||
| Churchill - So Much To So Few - 1940 | Winston Churchill | F Minor | 5 | 4A | 88 BPM | ||
| I Get Along Without You Very Well | Lew Stone | C Major | 1 | 8B | 122 BPM | ||
| Long-Haired Boy | Shel Silverstein | D Major | 2 | 10B | 130 BPM | ||
| Start The Day Right | Lawrence Welk | C Major | 1 | 8B | 160 BPM | ||
| Song of the Australian Outlaw | Kenneth Williams | F Major | 6 | 7B | 68 BPM | ||
| Annabel Lee | Basil Rathbone | G Major | 1 | 9B | 108 BPM | ||
| Non Stop Dancer | My Mum Song | Derek & Clive | A♭ Major | 1 | 4B | 62 BPM | ||
| Boys in Khaki, Boys in Blue | Bennett Scott, Frederick J. Wheeler | D Major | 1 | 10B | 105 BPM | ||
| Almost Perfect | Shel Silverstein | C Major | 0 | 8B | 175 BPM | ||
| Soldiers Moving Forward | paylindahbruk | B Minor | 3 | 10A | 69 BPM | ||
| Dualities | Spiritual Unfoldment with John Butler | D♭ Major | 3 | 3B | 118 BPM | ||
| Experiencing Infinity | Eckhart Tolle | B Major | 1 | 1B | 112 BPM | ||
| Guard | Charles Spencer | C Major | 7 | 8B | 129 BPM | ||
| My Fair Lady, Act I Scene 4: How'd Ya Like That? | Frederick Loewe, Annie Wensak, Leo Roberts, Alun Armstrong | D♭ Major | 2 | 3B | 50 BPM | ||
| Cleaning Windows | George Formby | D♭ Major | 4 | 3B | 114 BPM | ||
| The Jealous Bones of Aaron Kelly | David Holt | G Major | 3 | 9B | 170 BPM | ||
| The Sonnets: Sonnet 18: Shall I Compare Thee to a Summer's Day? | William Shakespeare, Margaret Howard, Bernard Palmer | C Major | 1 | 8B | 79 BPM | ||
| Land of Imagination | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| The Yipiyuk | Shel Silverstein | G Minor | 1 | 6A | 120 BPM | ||
| Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | ||
| The Stately Homes of England | Noel Coward | E♭ Major | 1 | 5B | 99 BPM | ||
| Death Shakes the Foundations | Nik_Poetry | A Major | 1 | 11B | 65 BPM | ||
| Across the Plains of Africa | Ken Bruce | F Minor | 1 | 4A | 131 BPM | ||
| Lazy Moon | Laurel and Hardy | C Minor | 2 | 5A | 75 BPM |