Ramakrishna Math, Swami Sarvagananda's ' "Sapthama Adhyaya (7th Chapter) Chanda Munda Vadha" was released on its scheduled release date, October 9, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Sri Sri Chandi". In this album, this song's track order is #21. Based on our statistics, Sapthama Adhyaya (7th Chapter) Chanda Munda Vadha's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Sapthama Adhyaya (7th Chapter) Chanda Munda Vadha by Ramakrishna Math, Swami Sarvagananda having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Badrinath Stuti | Naisha Joshi, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Ramcharitmanas Chaupai | Prem Prakash Dubey | A Minor | 7 | 8A | 100 BPM | ||
| Vojo Gouranga | Apily Dutta Bhowmick | F♯ Major | 7 | 2B | 150 BPM | ||
| Tor chorone shyma maa | Raghab Chatterjee | D Major | 5 | 10B | 148 BPM | ||
| Trisharan | Surykirti | D♭ Major | 3 | 3B | 83 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Namaste Narasimhaya | Sachi kumar Das | F Major | 9 | 7B | 130 BPM | ||
| Jai Ganesh Jai Ganesh Deva Ganesh Aarti | Shraddha Jain | B Minor | 7 | 10A | 146 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Banirupe Rahiyacho Murati Dhari | Mahesh Ranjan Shome | F♯ Major | 5 | 2B | 88 BPM | ||
| Kanakambara Kamalasana | Ramakrishna Math, Monks of the Ramakrishna Order | C Minor | 4 | 5A | 97 BPM | ||
| Rai Jago Rai Jago | Amar Pal | F♯ Major | 4 | 2B | 116 BPM | ||
| Stuti: Vishwambhari Stuti | Nayan Pancholi, Gargi Vora | C Major | 1 | 8B | 106 BPM | ||
| Krishna Sumiran | Ananya Basu | E Major | 4 | 12B | 100 BPM | ||
| Hare Krishna Vol 3 Part 1 - Original | Bitu Samajpati, NA | D Major | 5 | 10B | 127 BPM | ||
| Shiv Manas Pooja | Prem Prakash Dubey | F♯ Major | 3 | 2B | 117 BPM | ||
| Narasimha Gayathri Mantra | Shankara Sastry | C Major | 4 | 8B | 143 BPM | ||
| Hanuman Ji Ki Aarti | Shri. Mridul Krishna Shastri | D♭ Major | 6 | 3B | 95 BPM | ||
| Ajanubahum Aravindanetram | Sri Sathya Sai Bhajans | G Major | 5 | 9B | 155 BPM | ||
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Ambey Tu Hai Jagdambe Kaali Jai Durge Khappar Wali | Shyam Saajan, Supriya | E♭ Major | 7 | 5B | 98 BPM | ||
| Aaj Vitevari Nita (Vitthal Bhajan) | Anandraj Manik Prabhu | C Minor | 6 | 5A | 135 BPM | ||
| Jaya Jaya Janani Jaya Sri Saradamoni | Ramakrishna Math, Swami Narendrananda | B♭ Minor | 5 | 3A | 135 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Maha Sudarshana Mantram | Bhandhavi | A♭ Minor | 3 | 1A | 82 BPM |