Fight Or Flight's ' "Almost There" was released on its scheduled release date, June 16, 2011. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Too High to Come Down". In this album, this song's track order is #2. In terms of popularity, Almost There is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Almost There by Fight Or Flight having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ultragigantor | Red Line Chemistry | A♭ Major | 9 | 4B | 154 BPM | ||
| Changes | Joan Red | A♭ Minor | 8 | 1A | 106 BPM | ||
| Running Blind | Ra | D♭ Minor | 9 | 12A | 97 BPM | ||
| Save Me | BrokenRail | F♯ Major | 9 | 2B | 94 BPM | ||
| Str8 To The Bottom | Weaving The Fate | F♯ Major | 7 | 2B | 86 BPM | ||
| Just a Memory | Stealing Eden | C Minor | 9 | 5A | 152 BPM | ||
| Pink Lighted Suicide | Papercut Massacre | F Major | 10 | 7B | 175 BPM | ||
| Liar's Skin | Fall Of Envy | F♯ Major | 9 | 2B | 155 BPM | ||
| Closure | Allele | A♭ Major | 9 | 4B | 76 BPM | ||
| Tragedy & Romance | Our Waking Hour | A Major | 9 | 11B | 76 BPM | ||
| Justify | Age of Days | D♭ Minor | 9 | 12A | 95 BPM | ||
| Can You Hear Me | Shallow Side | B♭ Minor | 10 | 3A | 110 BPM | ||
| Broken Halo | Days Of Jupiter | B Major | 8 | 1B | 93 BPM | ||
| Lightning In The Sky | Devour the Day | C Minor | 10 | 5A | 146 BPM | ||
| In Vain | Under The Flood | E♭ Major | 9 | 5B | 144 BPM | ||
| No More | Gravel Switch | D Minor | 6 | 7A | 147 BPM | ||
| Falling | Seasons After | C Minor | 9 | 5A | 115 BPM | ||
| Moth and the Flame | Fall Of Envy | D♭ Minor | 9 | 12A | 98 BPM | ||
| Heartless | Rains | D♭ Minor | 6 | 12A | 140 BPM | ||
| Out of Reach | Shallow Side | E♭ Minor | 9 | 2A | 145 BPM | ||
| Black Roses | Red Line Chemistry | F Minor | 9 | 4A | 127 BPM | ||
| Memory | BrokenRail | A♭ Minor | 8 | 1A | 157 BPM | ||
| For You | Fall Of Envy | D♭ Minor | 8 | 12A | 106 BPM | ||
| Better Think Again | Submersed | F Minor | 9 | 4A | 100 BPM | ||
| Sarah & Johnny | Submersed | B Major | 9 | 1B | 95 BPM |