"Vivaldi: Cello Sonata No. 4 in B-Flat Major, Op. 14, RV 45: I. Largo" by Antonio Vivaldi, Paul Tortelier had its release date on 1962. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi : 6 Cello Sonatas (Elatus) by Antonio Vivaldi, Paul Tortelier. The song's track number on the album is #13 out of 24 tracks. Based on our data, France was the country where this track was produced or recorded. Vivaldi: Cello Sonata No. 4 in B-Flat Major, Op. 14, RV 45: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vivaldi: Cello Sonata No. 4 in B-Flat Major, Op. 14, RV 45: I. Largo by Antonio Vivaldi, Paul Tortelier has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Vivaldi: Cello Sonata No. 4 in B-Flat Major, Op. 14, RV 45: I. Largo being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
| Rachmaninov / Arr. Press for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Alexander Markov | E Minor | 2 | 9A | 97 BPM | ||
| Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Jacqueline du Pré, Gerald Moore | A♭ Major | 0 | 4B | 56 BPM | ||
| Concerto for Oboe and Bassoon in G Major, RV 545: II. Largo | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
| Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM | ||
| F-A-E Sonata, WoO 22: II. Intermezzo (Arr. G. Schwabe for Cello & Piano) | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | F Major | 1 | 7B | 86 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| Passacaglia g-moll | Heinrich Ignaz Franz von Biber, Reinhard Goebel | F♯ Minor | 1 | 11A | 83 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods, Op. 68/5, B. 173 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
| The 4 Seasons: Violin Concerto In E Major, Op. 8, No. 1, RV 269, "La Primavera" (Spring): II. Largo E Pianissimo Sempre | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | D♭ Minor | 0 | 12A | 104 BPM | ||
| Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
| La tempesta di mare en fa majeur, RV 433: I. Allegro | Jean-Louis Beaumadier, Antonio Vivaldi, Christophe Poiget, Ensemble Instrumental La Follia | C Major | 4 | 8B | 123 BPM | ||
| 12 Fantaisies, No. 10 in D Major, TWV 40:23: Fantasie No. 10 in D Major, TWV 40:23 | Georg Philipp Telemann, Augustin Hadelich | B Minor | 2 | 10A | 126 BPM | ||
| Sonata in A major, HWV 361: I. Andante | George Frideric Handel, Riccardo Minasi | D Minor | 1 | 7A | 170 BPM | ||
| Lasst mich allein, Op. 82 No. 1, B.157/1 (Arr. Lenehan for Cello & Piano) | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F Major | 0 | 7B | 116 BPM | ||
| Cello concerto in D major, K. 285 d: II. Adagio | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | F♯ Minor | 0 | 11A | 172 BPM | ||
| Concerto for Viola and Strings in C Minor: II. Adagio espressivo | Johann Christian Bach, Krasnoyarsk Chamber Orchestra, Filippo Faes, Anna Serova | A♭ Major | 2 | 4B | 88 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Handel: Violin Concerto in B-Flat Major, HWV 288: I. Andante | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Valda Aveling | B♭ Major | 1 | 6B | 79 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
| Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Concerto for 2 Cellos in G Minor, RV 531: I. Allegro | Antonio Vivaldi, Keith Hurvey, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 4 | 6A | 113 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |