On May 25, 2012, the song "Jhartate Ankhiyan Se Lor" was released by Himanshu Pandey. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Himanshu Pandey's "Lagal Ba Darbar Sherawali Ke" album is number 5 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Jhartate Ankhiyan Se Lor's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jhartate Ankhiyan Se Lor by Himanshu Pandey to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Tohra Bina Jaan | Himanshu Pandey, Virendra Paul | C Minor | 9 | 5A | 81 BPM | ||
| Chandini (Sambalpuri Album : Bhal Bhal Ta) | Old Sambalpuri | G Minor | 8 | 6A | 138 BPM | ||
| Ek Din Maati Bheetar Hoi Tohaar Ghar | MANOJ TIWARI | G Major | 3 | 9B | 74 BPM | ||
| Tum Shok Se Dulhan Ban Jao | Tahir Chishti | F Minor | 7 | 4A | 168 BPM | ||
| Tai Kon Ganv Rahithas | Hiresh Sinha, Jiteshwari Sinha | F♯ Minor | 7 | 11A | 81 BPM | ||
| Gunvant Vani | Savidhan Manohare | G Major | 8 | 9B | 165 BPM | ||
| Mat Bhuliha Pardesi Aapan Gaon | Dinesh Lal Yadav, Indu Sonali | D♭ Minor | 6 | 12A | 100 BPM | ||
| Mere Baba Tera Brahmakumaris | BK Asmita, B.K. Sarojini | E Major | 9 | 12B | 87 BPM | ||
| Jo Chhupaya Sabse Woh Armaan Chori Ho Gaya | Altaf Raja | G Minor | 7 | 6A | 126 BPM | ||
| Holiya Mein Range Sabke Musri | Guddu Rangila | G Minor | 10 | 6A | 150 BPM | ||
| Aail Balka Ke Baaria | Himanshu Pandey | B Minor | 8 | 10A | 78 BPM | ||
| Jhul Re Nitai Jhul | Sricharan Mohanty | G Minor | 6 | 6A | 121 BPM | ||
| Dhaniya Ho Sewa Kariha | Madan Rai | A♭ Major | 5 | 4B | 155 BPM | ||
| Doliya Kanhaar Leke Aile | Madan Rai | A♭ Major | 6 | 4B | 79 BPM | ||
| Ghoomar Ghalungi | Minakshi Rathore | G Major | 8 | 9B | 134 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Kaho Guddi Bhula Gailoo Ka | MANOJ TIWARI, Poornima, Deepali, Sonali Das | B Minor | 5 | 10A | 126 BPM | ||
| Budhwa Bhatar Sanghe | Himanshu Pandey | F♯ Major | 10 | 2B | 156 BPM | ||
| Hamara Tohara Se Pyar Bhail Ba - From "Mere Rang Me Rangane Wali" | Alok Kumar, Late Shyam Dehati | G Major | 10 | 9B | 153 BPM | ||
| Najriyan Na Lage | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Maiya Durga Abiyau Mora Angan Meun | Kunj Bihari Mishr | E Major | 8 | 12B | 100 BPM | ||
| Sambhu Raja Raja Chouragadh Wala Re | Deepika Tekam | B♭ Minor | 7 | 3A | 150 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Pyar Ke Baad Judai Ke Baat | Radhe Shyam Rasiya, Priyanka | F♯ Major | 7 | 2B | 174 BPM |