"Korean Folk Rhapsody (Aspirantkorps)" by James Curnow, Sande og Mosserød Skolekorps had its release date on June 17, 2016. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Korean Folk Rhapsody (Aspirantkorps)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vel Blåst by Sande og Mosserød Skolekorps. The song's track number on the album is #9 out of 14 tracks. In terms of popularity, Korean Folk Rhapsody (Aspirantkorps) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Korean Folk Rhapsody (Aspirantkorps) by James Curnow, Sande og Mosserød Skolekorps has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Korean Folk Rhapsody (Aspirantkorps) being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture for Winds | Northwestern State University Bands, Jeffery Mathews | C Minor | 2 | 5A | 127 BPM | ||
| Toccata and Fugue in D Minor, BWV 565 | Szeged Trombone Ensemble | D Minor | 1 | 7A | 192 BPM | ||
| Them Basses | United States Air Force Band | F Major | 7 | 7B | 59 BPM | ||
| The Great Gate of Kiev | Williams Fairey Band, Marc Reift, Brass Band Berner Oberland, James Gourlay | D♭ Major | 4 | 3B | 83 BPM | ||
| Animation (Episode 1: Wabbit!) | Randall Standridge, Lodge Studio Wind Ensemble | B♭ Major | 7 | 6B | 177 BPM | ||
| The Great Escape | Tredegar Town Band | A♭ Major | 1 | 4B | 123 BPM | ||
| Cornish Cavalier | W.E. Moyle, The Britannia Building Society Band & Howard Snell, Howard Snell | B♭ Major | 2 | 6B | 97 BPM | ||
| Dance Like David | Canadian Staff Band | D Minor | 5 | 7A | 83 BPM | ||
| Olympiada | Samuel R. Hazo, The Flowers Band, Paul Holland | E♭ Minor | 2 | 2A | 176 BPM | ||
| Sinfonia nobilissima | Robert Jager, Japan Air Self-Defense Force Western Air Band, Hiroyuki Kayo | D Minor | 2 | 7A | 153 BPM | ||
| Yiddish Dances: II. Terkishe. Allegro molto | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | F Major | 2 | 7B | 103 BPM | ||
| Call of the Cossacks: III. Cossack Fire Dance | Peter Graham, New York Staff Band | B♭ Minor | 4 | 3A | 167 BPM | ||
| Canticle of the Creatures, Prologue (Hovedkorps) | James Curnow, Sande og Mosserød Skolekorps | B♭ Minor | 1 | 3A | 114 BPM | ||
| Danza Sinfonica | James Barnes, University of Texas at El Paso Wind Symphony, Ron Hufstader | E♭ Major | 1 | 5B | 84 BPM | ||
| The Wilderness | Rossano Galante, Ad Hoc Wind Orchestra, Jean-Pierre Haeck | C Minor | 2 | 5A | 83 BPM | ||
| Deep Harmony | Swiss Army Brass Band & Andreas Spörri | D♭ Major | 2 | 3B | 78 BPM | ||
| Party Piece | Philip Sparke, Bastien Baumet, Géraldine Dutroncy | E♭ Major | 1 | 5B | 125 BPM | ||
| Fire in the Blood | Paul Lovatt-Cooper, Brass Band Regensburg | B♭ Major | 1 | 6B | 98 BPM | ||
| Concorde | Roy Newsome, Philip McCann, Black Dyke Mills Band | D Minor | 1 | 7A | 98 BPM | ||
| Armenian Dances, Part I - Recording at Fumon Hall, Tokyo, 1991 | Tokyo Kosei Wind Orchestra, Alfred Reed | B♭ Major | 1 | 6B | 82 BPM | ||
| The Gum-Suckers March (Cornstalks' March) | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Egmont, Op. 84: Overture | Szeged Trombone Ensemble | D Minor | 1 | 7A | 93 BPM | ||
| Galop Comíque (Aspects, mvt. 3) | Randall Standridge, Lodge Studio Wind Ensemble | B♭ Major | 8 | 6B | 160 BPM | ||
| American Overture | Joseph Willcox Jenkins, Lone Star Wind Orchestra, Eugene Migliaro Corporon | F Major | 3 | 7B | 132 BPM | ||
| Suite of Old American Dances: V. Rag | Robert Russell Bennett, Lone Star Wind Orchestra, Eugene Migliaro Corporon | E♭ Major | 2 | 5B | 102 BPM |