Beau Radigan's ' "Every Time You Call" was released on its scheduled release date, January 1, 2026. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "The Way You Left". In this album, this song's track order is #2. Based on our statistics, Every Time You Call's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Every Time You Call by Beau Radigan having a BPM of 158 with a half-time of 79 BPM and a double-time of 316 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take the L out of the World | Christian Music Creations | C Major | 4 | 8B | 143 BPM | ||
| When Midnight Tastes Like Copper | Country Rock Master | D♭ Major | 7 | 3B | 163 BPM | ||
| Graveyard Highway | Dead Bone Music | B Minor | 6 | 10A | 95 BPM | ||
| Better Man Than Yesterday | The Digital Cowboy | C Major | 4 | 8B | 143 BPM | ||
| Psalm 75_7–8 — The Cup in His Hand | Holy Groove | E♭ Major | 2 | 5B | 132 BPM | ||
| The Living Word | Christian Music Creations | G Minor | 4 | 6A | 78 BPM | ||
| Outlaw's Curse | Outlaw Eden | D♭ Major | 4 | 3B | 129 BPM | ||
| Lonesome Outlaw (Dark Country Music) | Dark Country Boy | D Minor | 4 | 7A | 75 BPM | ||
| Ain't Earned The Right | Warn Torn | E♭ Minor | 2 | 2A | 132 BPM | ||
| The Weight of Shame | Texas Hollow Records | E♭ Minor | 5 | 2A | 76 BPM | ||
| Does It Ever End | Backroad Raised | A♭ Major | 5 | 4B | 137 BPM | ||
| Shadows Don’t Lie, People Do | Ash Reed | F Minor | 5 | 4A | 124 BPM | ||
| American Trucker | Crazy Wally | D Major | 4 | 10B | 142 BPM | ||
| Shadows Don’t Pay Rent | Jace Blackwood | A♭ Major | 4 | 4B | 146 BPM | ||
| Thank y'all for ridin with me | Savage Garcia | G Major | 5 | 9B | 166 BPM | ||
| Drifting Way Home | The Dreams Are Almost Gone | C Major | 4 | 8B | 143 BPM | ||
| God Is Good | Dan Harman | E♭ Major | 6 | 5B | 145 BPM | ||
| Soul Gone Silent | Backroad Raised | C Major | 4 | 8B | 143 BPM | ||
| Lead Me Through The Ash | Kurt And The Crew | C Major | 4 | 8B | 143 BPM | ||
| Highway Dawn | Crazy Wally | A Minor | 4 | 8A | 140 BPM | ||
| The Return | Crazy Wally | C Major | 4 | 8B | 143 BPM | ||
| Blood on the Barrel | Cody Stone, Warn Torn | D♭ Major | 6 | 3B | 158 BPM | ||
| No Debt Just Grace | Walker Lawrence | C Major | 4 | 8B | 143 BPM | ||
| Backwood Confession | Backroad Raised | F Minor | 6 | 4A | 76 BPM | ||
| Reelin' The Line In | Ryan Evans | D Major | 2 | 10B | 74 BPM |