"Church Music #2" by John Fisher, Martin Joseph, Franz Koglmann, Lester Bowie, Eugenio Colombo, Alvin Curran, Theo Jörgensmann, Evan Parker, Giancarlo Schiaffini, Andrea Centazzo, Melvin Poore, Tony Oxley, Lol Coxhill had its release date on August 2, 2005. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rebels, Travelers & Improvisers". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Church Music #2 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Church Music #2 by John Fisher, Martin Joseph, Franz Koglmann, Lester Bowie, Eugenio Colombo, Alvin Curran, Theo Jörgensmann, Evan Parker, Giancarlo Schiaffini, Andrea Centazzo, Melvin Poore, Tony Oxley, Lol Coxhill having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rinaldo, Act I: Cor ingrato | Marilyn Horne, Orchestra del Teatro La Fenice di Venezia, John Fisher | B♭ Major | 2 | 6B | 111 BPM | ||
| Church Music #1 | John Fisher, Martin Joseph, Eugenio Colombo, Alvin Curran, Melvin Poore, Franz Koglmann, Tony Oxley, Lol Coxhill, Andrea Centazzo, Giancarlo Schiaffini, Theo Jörgensmann, Lester Bowie, Evan Parker | A♭ Major | 0 | 4B | 87 BPM | ||
| Look & You Will See | John Fisher | D♭ Minor | 9 | 12A | 141 BPM | ||
| La Sonnambula / Act 1: Sovra il sen la man mi posa | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 3 | 4B | 107 BPM | ||
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Rinaldo, Act III: Orrori menzogneri | Marilyn Horne, Orchestra del Teatro La Fenice di Venezia, John Fisher | C Major | 3 | 8B | 103 BPM | ||
| Rinaldo, Act I: Un mio giusto dolor | Ernesto Palacio, Orchestra del Teatro La Fenice di Venezia, John Fisher | C Major | 3 | 8B | 103 BPM | ||
| Not Today | John Fisher | G Major | 5 | 9B | 127 BPM | ||
| Don Giovanni, K. 527, Act I, Aria: Madamina, il catalogo e questo | Wolfgang Amadeus Mozart, Dmitri Hvorostovsky, Dominique Labelle, Gary Relyea, Liesel Fedkenheuer, Michael Colvin, Krisztina Szabó, Alain Coulombe, Canadian Opera Company Orchestra, Richard Bradshaw | G Minor | 1 | 6A | 93 BPM | ||
| Rinaldo, Act II: Dunque lacci d'un volto | Christine Weidinger, Orchestra del Teatro La Fenice di Venezia, John Fisher | B♭ Major | 2 | 6B | 111 BPM | ||
| Le nozze di Figaro, K. 492: Atto Primo: Se vuol ballare signor Contino (No. 3, Cavatina: Figaro) | Wolfgang Amadeus Mozart, Teodor Currentzis, Christian Van Horn, musicAeterna, Mary-Ellen Nesi | C Major | 2 | 8B | 111 BPM | ||
| Semele, HWV 58, Act II Scene 3: Now Love That Everlasting Boy Invites | George Frideric Handel, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | D Major | 3 | 10B | 125 BPM | ||
| La Clemenza di Tito: Atto primo, scena I. No.1 Duetto Sesto, Vitellia "Come ti piace imponi" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, René Jacobs, Bernarda Fink | C Major | 1 | 8B | 93 BPM | ||
| Out of the Ashes | John Fisher | C Major | 3 | 8B | 99 BPM | ||
| Firebreathing | Danie Ocean, John Fisher, Bill Giffear, Rochelle Drayton, Dirk Quinn, Joe Veltri | E Minor | 1 | 9A | 73 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: Tutto è tranquillo e placido (Figaro, Susanna) | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 86 BPM | ||
| La Cenerentola / Act 2: "Ah! Questa bella incognita!" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Cecilia Bartoli, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 1 | 10B | 138 BPM | ||
| Rinaldo, Act II: Armida dispietata! | Cecilia Gasdia, Orchestra del Teatro La Fenice di Venezia, John Fisher | E Minor | 2 | 9A | 174 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Metà di voi qua vadano" | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 119 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Alone | John Fisher | C Major | 3 | 8B | 99 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Il Barbiere di Siviglia: Brontola quanto vuoi - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 107 BPM | ||
| Rinaldo, Act I: Dalle nostre fatiche | Ernesto Palacio, Orchestra del Teatro La Fenice di Venezia, John Fisher | C Major | 3 | 8B | 103 BPM |