Shaun Martin's 'Triad' had a release date set for July 20, 2018. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 7 in Focus by Shaun Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Triad is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Triad by Shaun Martin is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chinese Medicinal Herbs | Jeff Lorber Fusion | C Minor | 7 | 5A | 119 BPM | ||
| C Jam Blues | Kenny Banks Jr. | A♭ Major | 4 | 4B | 46 BPM | ||
| Mayfair | Joshua Domfeh | A Minor | 4 | 8A | 94 BPM | ||
| Leaps | James Francies | B Major | 7 | 1B | 173 BPM | ||
| Changes of an Everlasting Moon | The YMU Jazz Collective, Shaun Martin | D♭ Minor | 4 | 12A | 141 BPM | ||
| The Yellow Jacket | Shaun Martin | C Minor | 5 | 5A | 145 BPM | ||
| Focus | John C. O'Leary III, Shaun Martin | B♭ Minor | 2 | 3A | 128 BPM | ||
| Winnerrr | Brekky Boy | F Major | 7 | 7B | 116 BPM | ||
| Artrik vägkant | Nine Sparks Riots | F♯ Minor | 5 | 11A | 170 BPM | ||
| Grace And Mercy | Immanuel Wilkins | G Major | 5 | 9B | 98 BPM | ||
| Silver Lines | Raffy Bushman | G Minor | 4 | 6A | 196 BPM | ||
| So It's Gone? (25) | corto.alto | F♯ Minor | 6 | 11A | 85 BPM | ||
| No Pt III | corto.alto | G Major | 6 | 9B | 110 BPM | ||
| Meet Me Here | Greg Spero, Joe Cleveland, Stixx Taylor, DominiqueXavier | F Minor | 3 | 4A | 137 BPM | ||
| Amanecer | Jeremy Ledbetter Trio, Rich Brown, Larnell Lewis | A Major | 4 | 11B | 114 BPM | ||
| TBC (Interlude) | Oli Howe | B♭ Major | 5 | 6B | 83 BPM | ||
| Signature | Avishai Cohen Trio | B♭ Major | 5 | 6B | 113 BPM | ||
| Bob James | Larry Goldings, Kaveh Rastegar, Abe Rounds | C Minor | 3 | 5A | 137 BPM | ||
| Love For Sale | Taylor Eigsti | B♭ Minor | 5 | 3A | 125 BPM | ||
| Speak No Evil | Michael Mayo | F Minor | 5 | 4A | 91 BPM | ||
| Sufficient Grace | Gregory Tardy | C Major | 1 | 8B | 94 BPM | ||
| Baltimore | Joshua Redman | D Major | 7 | 10B | 204 BPM | ||
| Stay Safe | Panam Panic | D Minor | 6 | 7A | 86 BPM | ||
| 100 Degrees | J3PO | G Minor | 7 | 6A | 80 BPM | ||
| Heartbeats | Derrick Hodge | G Major | 1 | 9B | 58 BPM |