"Las tristes lagrimas mias" by Anonymous (16th. c.), Sete Lágrimas had its release date on July 10, 2025. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Las tristes lagrimas mias's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Elvas Project, Vol. 1". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Portugal. Las tristes lagrimas mias is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Las tristes lagrimas mias by Anonymous (16th. c.), Sete Lágrimas having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cosmic Fairytale-Listening to the Earth - Live | Estas Tonne, Sylvia Kirchherr | B Minor | 1 | 10A | 66 BPM | ||
| Jesus Christus, unser Heiland | Samuel Scheidt, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 70 BPM | ||
| Sinfonia quinta (Excerpt) | Salomone Rossi, Constantinople | A Minor | 1 | 8A | 67 BPM | ||
| A Suite of Five Dance Tunes | Boston Camerata | D Major | 1 | 10B | 111 BPM | ||
| The Deer's Cry | Arvo Pärt, Polyphony, Stephen Layton | A Minor | 2 | 8A | 70 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Voglio di Vita Uscir | Benedetto Ferrari, Musica Sequenza, BURAK, Diana Ramirez | E Major | 1 | 12B | 94 BPM | ||
| Les tres doulx ieux du viaire ma dame | Gilles Binchois, Graindelavoix | D Minor | 1 | 7A | 118 BPM | ||
| Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
| The Oak - SATB | Becky McGlade, The Gesualdo Six, Sophie Haynes | C Major | 1 | 8B | 58 BPM | ||
| Gr. In Deo Speravit (Castillo de Poza de la Sal) | Gregotechno, Marc Vilajuana | A Minor | 2 | 8A | 68 BPM | ||
| Byz Interlude I | Kabarnos | E♭ Major | 2 | 5B | 132 BPM | ||
| Sextus Psalmus poenitentialis, LV 799: De Profundis clamavi | Orlande de Lassus, La Tempête, Simon-Pierre Bestion | F Major | 1 | 7B | 169 BPM | ||
| Vox in Tenebris | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | D Minor | 8 | 7A | 123 BPM | ||
| Txoria txori (Basque country, Spain) [Arr. for Vocal Ensemble by Winnie Brückner] | Mikel Laboa, Sjaella | D Minor | 1 | 7A | 123 BPM | ||
| Si tu savais le don de Dieu | Choeur des Moines de l'abbaye de Keur Moussa au Sénégal | F♯ Minor | 3 | 11A | 115 BPM | ||
| Ter voghormya - God forgive us, Chant of supplication | Nerses Shnorhali, Karineh Avetissian | G Minor | 1 | 6A | 86 BPM | ||
| Movement | Matthieu Saglio, Camille Saglio | G Major | 1 | 9B | 110 BPM | ||
| Himno 1 | David Cerrejón | E♭ Minor | 0 | 2A | 88 BPM | ||
| Le seconde musiche, No. 8, Quest'amore, quest'arsura | Claudio Saracini, Marco Beasley, Constantinople, Kiya Tabassian | A Minor | 7 | 8A | 136 BPM | ||
| Dorm Saurí | TRËI | D Major | 0 | 10B | 170 BPM | ||
| Yo Soy la Locura | Le Concert de l'Hostel Dieu, Heather Newhouse | F♯ Minor | 2 | 11A | 126 BPM | ||
| Amours où trop tard je me suis pris | Amina Alaoui | C Major | 2 | 8B | 70 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | ||
| Sequentia "Res est Admirabilis" for the Annunciation | Ecole gregorienne | F♯ Major | 2 | 2B | 112 BPM |