Capriccio Espagnol, Op. 34: I. Alborada by Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra Song Details

Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra's ' "Capriccio Espagnol, Op. 34: I. Alborada" was released on its scheduled release date, May 22, 2020. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Nikolay Rimsky-Korsakov: Capriccio Espagnol, Op. 34, Russian Easter Festival Overture, Op. 36 & Scheherazade, Op. 35". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Norway. Based on our statistics, Capriccio Espagnol, Op. 34: I. Alborada's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Capriccio Espagnol, Op. 34: I. Alborada by Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -20.645 dB
Acousticness: 63%
Danceability: 44%
Energy: 23%
Instrumentalness: 0%
Liveness: 11%
Loudness: 66%
Speechiness: 4%
Valence: 52%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Tales of Hoffmann: Barcarolle	Jacques Offenbach, Harry Rabinowitz	F Minor	1	4A	116 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
Masquerade Suite: Nocturne	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	A Major	1	11B	105 BPM
Emperor Waltz, Op. 437	Johann Strauss II, Eugene Ormandy	C Major	1	8B	92 BPM
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	C Minor	1	5A	80 BPM
Scheherazade: Calm - the triumph of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Minor	0	9A	68 BPM
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	97 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness	Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C	B Minor	0	10A	102 BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
Les contes d'Hoffmann (the Tales of Hoffmann): Tales of Hoffman: Intermezzo	Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark	G Major	1	9B	93 BPM
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner)	Luke Faulkner, Alexander Borodin	A Major	1	11B	72 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Scheherazade: The Fight	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Minor	1	9A	80 BPM
Masquerade Suite: Romance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	B♭ Minor	1	3A	176 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	2	10B	112 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande	Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov	G Major	3	9B	78 BPM
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto	Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim	G Minor	2	6A	65 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	2	11B	108 BPM
The Snow Maiden / Act 1: "Snegurochka, odna stoyit, bednyazhka!"	Nikolai Rimsky-Korsakov, Valeria Heybalova, Sofiya Jankovich, Belgrade National Opera Orchestra, Kreshimir Baranovich	B Minor	1	10A	81 BPM
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244	Franz Liszt, Roberto Szidon	D♭ Major	3	3B	102 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai	Giuseppe Tartini, Ray Chen, Noreen Polera	G Minor	1	6A	75 BPM
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit"	Nikolai Rimsky-Korsakov, Sofiya Jankovich, Miro Changalovich, Bireska Tzveych, Belgrade National Opera Orchestra, Kreshimir Baranovich	B Minor	1	10A	81 BPM