"On the Bus" by Kyle Dixon & Michael Stein had its release date on October 20, 2017. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. On the Bus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Stranger Things 2 (Soundtrack from the Netflix Original Series)". In this album, this song's track order is #4. On the Bus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With On the Bus by Kyle Dixon & Michael Stein having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Babyproofing / Bonfire | Marco Beltrami | A Minor | 0 | 8A | 75 BPM | ||
| Paper Curtains | Disasterpeace | F♯ Major | 8 | 2B | 138 BPM | ||
| Felix | Atticus Derrickson | A♭ Minor | 1 | 1A | 72 BPM | ||
| Midnight Oil | Andrew Arcadi | F♯ Major | 5 | 2B | 100 BPM | ||
| Dopamine 2 | Max Richter | D Major | 2 | 10B | 120 BPM | ||
| It Speaks | Paul Haslinger | E Minor | 2 | 9A | 196 BPM | ||
| She Became a Mystery | Ryan Lott | E Minor | 2 | 9A | 72 BPM | ||
| End Credits (I Still Love You, Tokyo) | Daniel Lopatin | E Minor | 3 | 9A | 140 BPM | ||
| A Return to Compassion | Bear McCreary | G Major | 1 | 9B | 163 BPM | ||
| Via | Marcelo Zarvos | C Major | 2 | 8B | 72 BPM | ||
| Lay-Z-Boy | Kyle Dixon & Michael Stein | B♭ Minor | 0 | 3A | 120 BPM | ||
| Her Face | Nathan Johnson | C Major | 1 | 8B | 68 BPM | ||
| Acid | Michael Brook | C Major | 1 | 8B | 132 BPM | ||
| 3.7_4-lollipop.sou | Mac Quayle | D Major | 1 | 10B | 66 BPM | ||
| We Forget Who We Are | Trent Reznor and Atticus Ross | C Major | 1 | 8B | 71 BPM | ||
| Warnecke | Hammock | C Major | 3 | 8B | 73 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| This Case Is Simple | Brendan Angelides, Eskmo | B♭ Major | 1 | 6B | 67 BPM | ||
| What’s Wrong, Ben? | Adrian Johnston | E Major | 1 | 12B | 127 BPM | ||
| Nightfall, Camena | scntfc | B Major | 1 | 1B | 73 BPM | ||
| Indecision | David Fleming | A♭ Major | 3 | 4B | 189 BPM | ||
| The bioluminescence of the night | James Horner | D♭ Minor | 0 | 12A | 128 BPM | ||
| It's Not My Boy | Kyle Dixon & Michael Stein | E♭ Major | 0 | 5B | 77 BPM | ||
| Low Fog | S U R V I V E | E♭ Major | 0 | 5B | 116 BPM | ||
| Paper Lanterns | Disasterpeace | F♯ Major | 8 | 2B | 138 BPM |