Charlie White's ' "Take It or Leave It" was released on its scheduled release date, July 3, 2018. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Take It or Leave It's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charlie White's "Music for Grown Ups, Vol. 1" album is number 4 out of 8. Based on our statistics, Take It or Leave It's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Take It or Leave It by Charlie White to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For All Eternity | Steve Moore Oldster | G Major | 2 | 9B | 116 BPM | ||
| let the little ones come | stephen t.p. moore | E Minor | 6 | 9A | 118 BPM | ||
| all these things | Stephen Moore | D Major | 3 | 10B | 129 BPM | ||
| 45 or 50 Years Ago | Late Start Productions | B Major | 6 | 1B | 98 BPM | ||
| Superpower | Kirby Lyle | G Major | 3 | 9B | 82 BPM | ||
| HEALING | STEVE THE TRAILPLAYER LIVE | A♭ Minor | 2 | 1A | 118 BPM | ||
| The First Day of a New Age | Charlie White | G Major | 1 | 9B | 179 BPM | ||
| seeds of peace | Stephen Pettymoore | D Major | 6 | 10B | 143 BPM | ||
| Sarah Winchester's Repeating Arms | Al Cabrón | C Major | 4 | 8B | 135 BPM | ||
| Gospel Song #7 | Timmy Skelly | A♭ Minor | 2 | 1A | 118 BPM | ||
| At the Bridge | Allen Dobb | A♭ Minor | 2 | 1A | 118 BPM | ||
| Going Down | Highland Express | C Major | 8 | 8B | 137 BPM | ||
| Moonlight in My Hands | Charlie Root | E♭ Major | 3 | 5B | 134 BPM | ||
| Streets of Minneapolis | Greg Bikowski | G Major | 3 | 9B | 120 BPM | ||
| Alpenglow - Live in Orinda | STTP3 | E Minor | 2 | 9A | 82 BPM | ||
| Striking Matches In The Dark | Roland Dixon | G Major | 6 | 9B | 134 BPM | ||
| A Day of Rest | The Last River Bottomed Fig Plucker | G Major | 5 | 9B | 140 BPM | ||
| Here | Rob Kelley | B Major | 3 | 1B | 118 BPM | ||
| Blue Virginia Blues | Louis Smith | B♭ Minor | 3 | 3A | 150 BPM | ||
| Even in the Valley | Deeper Well, Alex Chapman | A♭ Minor | 2 | 1A | 118 BPM | ||
| You Shook Me All Night Long - Acoustic Version | Pompano Drive | G Major | 2 | 9B | 93 BPM | ||
| Wooden Boat | Paddy Mills | E♭ Major | 3 | 5B | 94 BPM | ||
| Hey Google | Paul O'brien | D Major | 2 | 10B | 75 BPM | ||
| Ninety Days | The Last River Bottomed Fig Plucker | B Major | 3 | 1B | 138 BPM | ||
| Dream No 36 | Dayborn | E Major | 7 | 12B | 107 BPM |