Billie Rouss's 'Violet Decay' had a release date set for December 21, 2025. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Billie Rouss's "Midnight Chromatism" album is number 6 out of 6. The popularity of Violet Decay is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Violet Decay by Billie Rouss to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twisted Intentions | Ken Frank | C Major | 4 | 8B | 96 BPM | ||
| Moon Quietly Turning | James Cason | D Major | 2 | 10B | 171 BPM | ||
| Gone All Pear-Shap... | Raimyzzo | E Major | 4 | 12B | 138 BPM | ||
| Fleeting Alpenglow | We Are All Fossils | F Major | 2 | 7B | 144 BPM | ||
| The Moment I Met You | Oselis | E♭ Major | 3 | 5B | 150 BPM | ||
| The Silent Text | NiExshadow | B♭ Major | 1 | 6B | 131 BPM | ||
| Measurement Marks | Billie Rouss | A Minor | 4 | 8A | 83 BPM | ||
| The Echo in the Hallway | Billie Rouss | G Major | 6 | 9B | 168 BPM | ||
| Will Someone Hold My Hand? | ForrestWith2Rs | E Minor | 5 | 9A | 110 BPM | ||
| Echoes Above the Surface | Alaim Clamus | F♯ Major | 0 | 2B | 138 BPM | ||
| Goodwill Sweaters | Karli Knisley | B Major | 7 | 1B | 116 BPM | ||
| Elsewhere | Steven Lindsay | B♭ Major | 1 | 6B | 131 BPM | ||
| Justified | James Tonic | B♭ Major | 1 | 6B | 131 BPM | ||
| Unite the Hearts | Tom Francis | C Major | 2 | 8B | 133 BPM | ||
| Reciprocity | Alexander Grandjean | F Major | 2 | 7B | 172 BPM | ||
| Come On, Love | Alivan Blu | B♭ Major | 1 | 6B | 131 BPM | ||
| Noctivrara | Alaim Clamus | D Minor | 0 | 7A | 108 BPM | ||
| Braided Hemlock | Billie Rouss | B Minor | 4 | 10A | 104 BPM | ||
| Falling | The Signal Room | B♭ Major | 1 | 6B | 131 BPM | ||
| Bones | Juliet Juliet Romeo | B♭ Major | 1 | 6B | 131 BPM | ||
| Better With You | The Born Love | B♭ Major | 1 | 6B | 131 BPM | ||
| Just Around the Corner | Matevž Kovačič | D♭ Major | 4 | 3B | 122 BPM | ||
| Taking a Ride | Zach Berkman | B♭ Major | 1 | 6B | 131 BPM | ||
| Damien | Brad Heidi | B♭ Major | 1 | 6B | 131 BPM | ||
| Desert Hymn | Elio Moure | D Minor | 2 | 7A | 175 BPM |