Alonso Mudarra, Christopher Wilson's ' "Mudarra: Libros de música en cifra, Libro I: Gallarda" was released on its scheduled release date, January 1, 1990. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vihuela Music from the Spanish Renaissance by Christopher Wilson. The song's track number on the album is #14 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Mudarra: Libros de música en cifra, Libro I: Gallarda is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Mudarra: Libros de música en cifra, Libro I: Gallarda by Alonso Mudarra, Christopher Wilson has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mudarra: Libros de música en cifra, Libro I: Gallarda being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gintzler : Pater noster | Heringman | D Minor | 0 | 7A | 78 BPM | ||
| Folias Gallegas | Santiago De Murcia, Jordi Savall, Hespèrion XXI | D Major | 1 | 10B | 147 BPM | ||
| Lute Sonata in C Minor, Op. 1, No. 1: III. A tempo giusto | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 1 | 1A | 78 BPM | ||
| Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
| Fantasia 31 | Francesco da Milano, Shirley Rumsey | G Major | 0 | 9B | 145 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Suite in G Major: V. Capriccio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
| Tres libros de musica en cifra, Book 1: No. 12, Fantasia X que contrahaze la harpa en la manera de Ludovico | Alonso Mudarra, David Russell | C Minor | 0 | 5A | 118 BPM | ||
| Laurina Corrente | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| Ferita d’Amore Gagliarda | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Bergamasco | Giovanni Battista Domenico, Joachim Held | E Major | 2 | 12B | 108 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 121 BPM | ||
| Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
| Basse dance :La Roque: (Attaingnant) | Edward Martin | C Major | 1 | 8B | 79 BPM | ||
| Preambel No. 4, IHN 34 | Hans Neusidler, Stephan Hrushka | F Minor | 0 | 4A | 168 BPM | ||
| Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
| La Zanetta padovana (Renaissance Lutes & Archlute in Ensemble) | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 72 BPM | ||
| Suite in A Minor: IV. Sarabande | Françoise Dufaut, Lutz Kirchhof | D♭ Major | 1 | 3B | 92 BPM | ||
| Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
| Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Un fiore gentile m'apparse | Zachara da Teramo, Munir Beken, August Denhard | E Major | 1 | 12B | 141 BPM |