Alessandro Scarlatti, Víctor Sordo, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Prima Parte: L'augelletto che volando (Aria)" was released on its scheduled release date, February 14, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Prima Parte: L'augelletto che volando (Aria) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Prima Parte: L'augelletto che volando (Aria) by Alessandro Scarlatti, Víctor Sordo, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
| Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | D♭ Major | 1 | 3B | 136 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Overture in G Minor: II. Gavotte | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 89 BPM | ||
| Domine ad adiuvandum me festina, RV 593: II. Gloria patri | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Roberta Invernizzi | E Minor | 0 | 9A | 82 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| Scarlatti, A: Filli che esprime la sua fede a Fileno: III. Aria. "Chiedi pur ai monti" | Alessandro Scarlatti, Gérard Lesne, Il Seminario Musicale | F♯ Major | 3 | 2B | 103 BPM | ||
| 3. Auf nach Italien | Giovanni Pierluigi da Palestrina, Alessandro Scarlatti, Will Quadflieg, Pro Cantione Antiqua, Catherine Gayer, Munich Chamber Orchestra, Hans Stadlmair | C Major | 1 | 8B | 129 BPM | ||
| Concerto Grosso in A Minor, Op. 6 No. 4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of Ancient Music, Andrew Manze | D♭ Minor | 0 | 12A | 139 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Dixit Dominus, RV 595: Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 125 BPM | ||
| Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: I. Vivace | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | B♭ Minor | 1 | 3A | 103 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| X. Alleluja, ein Prinz ist da! | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro) | Alessandro Scarlatti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 4 | 3B | 152 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: II. Andante | Johann Friedrich Fasch, Il Gardellino | G Minor | 1 | 6A | 116 BPM | ||
| Mondonville: Psalmus CXIII "In exitu Israel": I. In exitu | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 82 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| Les Goûts-réünis - Concert No.14 in D minor: 2. Allemande | François Couperin, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 102 BPM | ||
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Major | 1 | 2B | 63 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM |