"O ihr lieben Hirten fürchet euch nicht" by Andreas Hammerschmidt, Ensemble Polyharmonique, Magdalene Harer had its release date on January 14, 2022. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ensemble Polyharmonique's "Historia Nativitatis" album is number 11 out of 37. On top of that, Germany appears to be the country where this track was created. O ihr lieben Hirten fürchet euch nicht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O ihr lieben Hirten fürchet euch nicht by Andreas Hammerschmidt, Ensemble Polyharmonique, Magdalene Harer to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere mei Deus, C. 116: IX. Tunc acceptabis | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Minor | 2 | 4A | 79 BPM | ||
| O Jesulein, mein Jesulein: I. | Johann Hermann Schein, Lionel Meunier, Bart Jacobs, Zsuzsi Tóth, Caroline Weynants | D Minor | 0 | 7A | 94 BPM | ||
| Merk auf mein Herz, BWV Anh. III 163: VI. Ach, mein herzliebes Jesulein | Johann Christoph Bach, Vox Luminis, Lionel Meunier | F Major | 0 | 7B | 78 BPM | ||
| Guerrero: Alma mirad vuestro Dios | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Canzon vigesimanona, F 8.54 | Girolamo Frescobaldi, Le Concert Spirituel, Herve Niquet | E Major | 2 | 12B | 125 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | ||
| A und O | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Minor | 1 | 5A | 78 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
| O Hearken | Roxanna Panufnik, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 66 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Viola da Gamba Suite No. 3 in G Major: I. Paduan | Andreas Hammerschmidt, Hespèrion XX, Jordi Savall | C Major | 1 | 8B | 163 BPM | ||
| Messe de Minuit, H. 9: Agnus Dei | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola | C Major | 1 | 8B | 79 BPM | ||
| Ach Gott, warum hast du mein vergessen? | Andreas Hammerschmidt, Le Concert Etranger, Itay Jedlin, Maria Valdmaa, Cécile Granger, Jeffrey Thompson, Geoffroy Buffière | G Minor | 1 | 6A | 76 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Wer wälzet uns den Stein | Andreas Hammerschmidt, Vox Luminis, Lionel Meunier, Clematis | G Minor | 1 | 6A | 73 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| Qual fora, donna, un dolce Ohime | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | F Minor | 1 | 4A | 136 BPM | ||
| Also hat Gott die Welt geliebt, SWV 380 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F Minor | 2 | 4A | 72 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Der Tod ist verschlungen | Andreas Hammerschmidt, Vox Luminis, Lionel Meunier | D Minor | 2 | 7A | 67 BPM | ||
| Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | ||
| In nativitatem Domini canticum, H. 414: IV. Ritournelle | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 112 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM |