"Last Night When We Were Young" by Jacob Sacks, Masa Kamaguchi, Vinnie Sperrazza had its release date on January 1, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Sperrazza-Sacks-Kamaguchi Play Harold Arlen". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Spain. In terms of popularity, Last Night When We Were Young is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Last Night When We Were Young by Jacob Sacks, Masa Kamaguchi, Vinnie Sperrazza having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Night in New York | Caelan Cardello | D♭ Major | 2 | 3B | 121 BPM | ||
| We Never Talked | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| Oleo | Jacob Sacks, Masa Kamaguchi, Vinnie Sperrazza | A Minor | 2 | 8A | 68 BPM | ||
| It Might Not Work | Sam Bardfeld, Jacob Sacks, Michael Sarin | G Major | 5 | 9B | 118 BPM | ||
| Automne Sur Le Canal | Maurizio Minardi Trio | C Major | 3 | 8B | 90 BPM | ||
| Absence | AGE | A♭ Major | 2 | 4B | 145 BPM | ||
| P.C.R. | Francesca Tandoi | A Minor | 4 | 8A | 99 BPM | ||
| The Longest Night | Suzan Veneman, Tijs Klaassen, Wouter Kühne | A♭ Minor | 2 | 1A | 122 BPM | ||
| Green Tea | Jacob Sacks | B♭ Minor | 0 | 3A | 96 BPM | ||
| If I Should Lose You | Tom Rainey Obbligato, Ingrid Laubrock, Ralph Alessi, Jacob Sacks, Drew Gress, Tom Rainey | D Major | 2 | 10B | 136 BPM | ||
| Tired | Lena Bloch, Kyoko Kitamura, Jacob Sacks, Ken Filiano, Michael Sarin | D Major | 4 | 10B | 105 BPM | ||
| Clem | Walter Smith III, Matthew Stevens, Micah Thomas, Linda May Han Oh, Nate Smith | G Major | 7 | 9B | 155 BPM | ||
| Listening in: Eighty-One | Gui Duvignau, Jacob Sacks, Nathan Ellman-Bell | G Minor | 0 | 6A | 102 BPM | ||
| Cradle | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Is That So | Geoffrey Dean, Justin Copeland | F Minor | 4 | 4A | 104 BPM | ||
| Emily | Vinnie Sperrazza, Jacob Sacks, Masa Kamaguchi | F♯ Major | 3 | 2B | 84 BPM | ||
| Ludwig | Dave Scott, Nate Radley, Sarah Bernstein, Jacob Sacks, Mark Ferber, Dave Ambrosio | D Minor | 4 | 7A | 67 BPM | ||
| The Comet | Martin Nodeland, Will Vinson | D Minor | 4 | 7A | 109 BPM | ||
| Love Letters | Eric Alexander | A♭ Major | 5 | 4B | 92 BPM | ||
| Lucky Southern | Frank Fiedler, Joe Dinkelbach | D Major | 4 | 10B | 110 BPM | ||
| Molgan | Henning Ullén, Mauritz Agnas, Nils Agnas | F♯ Major | 3 | 2B | 138 BPM | ||
| アイム・ア・フール・トゥ・ウォント・ユー (ライヴ) | Sadao Watanabe | G Minor | 1 | 6A | 116 BPM | ||
| Bar Life | David Binney, Wayne Krantz, Jacob Sacks, Eivind Opsvik, Dan Weiss, John Escreet | C Major | 5 | 8B | 82 BPM | ||
| The Time Will Come | Lena Bloch, Kyoko Kitamura, Jacob Sacks, Ken Filiano, Michael Sarin | G Major | 1 | 9B | 98 BPM | ||
| Preludium, Pt. VII | Fort Bella | F Minor | 1 | 4A | 143 BPM |