On November 9, 2022, the song "Majisa The To Mota Dev" was released by Prakash Mali. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Prakash Mali's "Jasol Ri Dhaniyani" album is number 3 out of 40. On top of that, India appears to be the country where this track was created. In terms of popularity, Majisa The To Mota Dev is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Majisa The To Mota Dev by Prakash Mali to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sakhi Dekh Shyam Shingaar | Rajendra Vyas | D Minor | 8 | 7A | 90 BPM | ||
| Ara Ra Ra Ra Bhar Pichkari | Sadhvi Purnima | A♭ Minor | 7 | 1A | 96 BPM | ||
| Bardan Ahan San Ki Mangi | Dilip Darbhangiya | B♭ Major | 10 | 6B | 112 BPM | ||
| Shyam Ki Murli Ka | Chitra Vichitra | F♯ Major | 9 | 2B | 92 BPM | ||
| Jara Chal Ke Vrindavan Dekho | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Aa Darsh Dikhade Mere Shyam | Sanjay Mittal | F Minor | 7 | 4A | 97 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Shyam to Prem ke bhukhe hai | Mayank Agarwal | F Major | 7 | 7B | 75 BPM | ||
| Babo Panchrang Penchadhari | Gopal Bajaj | D♭ Major | 6 | 3B | 100 BPM | ||
| Jo Ras Baras Rayo | Devi Chitralekha | E♭ Minor | 4 | 2A | 132 BPM | ||
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Sun Soniyan Jatavan Waleya | Karnail Rana | B♭ Major | 8 | 6B | 102 BPM | ||
| Dhoop Deep Mala Lene | Ram Babu Jha | B Major | 9 | 1B | 119 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| Sabad Ri Lagi Ve So Jaane | Anita Jangid | F Minor | 9 | 4A | 170 BPM | ||
| Itni Vinti Hai | Rajni Rajasthani | F Minor | 7 | 4A | 156 BPM | ||
| Chausath Jogani | Prem Nath | E Minor | 10 | 9A | 80 BPM | ||
| Ma Kewat Ban Kar Taar | Ramavtar Marwadi | F♯ Major | 9 | 2B | 95 BPM | ||
| Sai Baban Phone Kela | Omkar Mahadik | D♭ Major | 9 | 3B | 90 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Nadol Ri Ashapura Mata | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 96 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | B♭ Minor | 6 | 3A | 122 BPM | ||
| Hara Hun Baba | Kanhaiya Mittal | C Minor | 7 | 5A | 95 BPM | ||
| Rahab Rusal Kataik Din Bhawani | Dilip Dharbhangiya | A♭ Major | 8 | 4B | 150 BPM | ||
| Mahara Sanwra Roop Dikha De | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 9 | 4B | 112 BPM |