"The Room that Listens Back" by Benjamin Morris had its release date on November 19, 2025. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 7 in the song's album "Notes Floating Through Empty Streets". In this album, this song's track order is #1. In terms of popularity, The Room that Listens Back is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Room that Listens Back by Benjamin Morris having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Evergreen | ggg. | C Major | 1 | 8B | 76 BPM | ||
| May Cease To Be | Soft Brush Touches | B♭ Major | 2 | 6B | 173 BPM | ||
| A Time For Love | More than Jazz | B♭ Major | 1 | 6B | 120 BPM | ||
| The Bridge | The Modernist Jazz Fusion Quintet | D Minor | 1 | 7A | 45 BPM | ||
| Off the Record | Benjamin Morris | A♭ Minor | 1 | 1A | 80 BPM | ||
| Cedar | Julian Harrow Trio | A♭ Minor | 1 | 1A | 80 BPM | ||
| Facing Masks, Pt. XIV | Muzouet, Werset | C Major | 2 | 8B | 107 BPM | ||
| The Forecast | Denzel Sachs | A♭ Minor | 1 | 1A | 80 BPM | ||
| Melody Written on a Receipt | Benjamin Morris | C Major | 1 | 8B | 86 BPM | ||
| The Homecoming Star | Brilliant Supervision | C Major | 1 | 8B | 95 BPM | ||
| No Sky Tonight | Noiracle | E♭ Minor | 1 | 2A | 113 BPM | ||
| Talk to Her | Tudor Brodwill | F Minor | 2 | 4A | 58 BPM | ||
| I´m Through With Love | Eddie Harper | F Minor | 1 | 4A | 100 BPM | ||
| Gilded Fracture Ballad | Hermione Dark | C Major | 0 | 8B | 132 BPM | ||
| Beyond the Horizon | India Manes | C Major | 0 | 8B | 96 BPM | ||
| Tables Turn | Mabon Clarke Quartet | A♭ Minor | 1 | 1A | 80 BPM | ||
| Lamplight | Thermon Gendler | C Major | 0 | 8B | 118 BPM | ||
| I Mind My Own Business | Jonah Anderson | A Minor | 2 | 8A | 50 BPM | ||
| Last Call | Engherx | A♭ Minor | 1 | 1A | 80 BPM | ||
| Let It Be That Way | Millford Street Trio | C Major | 1 | 8B | 66 BPM | ||
| Mold | Central Park Quartet | E♭ Major | 2 | 5B | 87 BPM | ||
| Swaying Streets | Blush Object | D Minor | 1 | 7A | 119 BPM | ||
| Spokey Dokey (From "Cowboy Bebop") | The Jazz Rebels | A Minor | 1 | 8A | 67 BPM | ||
| First Light | Edgar Oury | C Major | 1 | 8B | 138 BPM | ||
| Together We Cry | The Super Smart Trio | D Major | 3 | 10B | 133 BPM |