Sonu Nigam, Anwar Jaani's ' "He Paani Anile Mi Math Bharuni" was released on its scheduled release date, January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sonu Nigam, Anwar Jaani's "Jeevala Jivaacham Daan" album is number 3 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, He Paani Anile Mi Math Bharuni is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of He Paani Anile Mi Math Bharuni by Sonu Nigam, Anwar Jaani to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Magey Rahila Kasara Ghat Dharli Shirdichi Vaat | Sai bhakti | F♯ Minor | 9 | 11A | 170 BPM | ||
| Hey Tripurari Hey | Usha Mangeshkar | F Major | 4 | 7B | 101 BPM | ||
| Bhimaaicha Bhiva | Anand Shinde, Milind Shinde | G Major | 6 | 9B | 144 BPM | ||
| Ye Ra Baa Saibaba | Sachidanand Appa | A♭ Major | 5 | 4B | 100 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Khaike Maghiya Paan | Dilraj Kaur | G Minor | 8 | 6A | 90 BPM | ||
| Aathang Sagar Karunecha Shree Swami Samartha | Jitrandra Abhyankar | D♭ Major | 5 | 3B | 90 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| YA REY CHILIM HEE PETVA | Chhagan Chougule | F♯ Minor | 8 | 11A | 134 BPM | ||
| Bheembanch Naav | Anand Shinde | A♭ Major | 6 | 4B | 181 BPM | ||
| Nao Tuzaghenyasathi | Suresh Wadkar, Dada Kondke | C Major | 8 | 8B | 98 BPM | ||
| Chandi Chamunda Chotila Vali | Kirtidan Gadhvi, Kavita Das | F Major | 8 | 7B | 144 BPM | ||
| Hari Naam Ka Pyala | Anup Jalota | A Major | 8 | 11B | 81 BPM | ||
| Chaitra Poornima Somvatila | Adarsh Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Naam Vittal Vittal Ghevu | Prahlad Shinde | F♯ Major | 10 | 2B | 100 BPM | ||
| Dar Chhod Ke Jaaunga Na Maiya | Sonu Nigam | F♯ Major | 4 | 2B | 125 BPM | ||
| Janu Deha Hi Pandhari | Prahlad Shinde | D♭ Minor | 8 | 12A | 131 BPM | ||
| Triwar Hi Vandana | Milind Shinde | A Major | 4 | 11B | 84 BPM | ||
| Lalbagchya Raja Darshan De Tu Amhar | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 80 BPM | ||
| Oriye Oriye Madhu Chuve | Pawan Singh, Anuja | F Major | 6 | 7B | 120 BPM | ||
| Asen Mi Nasen Mi | Arun Date | B Major | 6 | 1B | 165 BPM | ||
| Kiti Bhimachya Sangavya Katha | Suhasini | F♯ Major | 5 | 2B | 107 BPM | ||
| Bhimraj Ki Beti | Nisha Bhagat | A♭ Major | 6 | 4B | 96 BPM | ||
| Aaj Kolivaryat Yeil Varat | Vitthal Umap | A♭ Major | 6 | 4B | 95 BPM |