Sam Fonteyn's 'Mazurka' had a release date set for November 15, 1988. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sam Fonteyn's "Keyboard Anthology" album is number 6 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mazurka's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mazurka by Sam Fonteyn to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Tickled Pink | Jack Shaindlin | F Minor | 2 | 4A | 169 BPM | ||
| Au Pair Girls 11 | Roger Webb | A♭ Major | 1 | 4B | 149 BPM | ||
| Wiggin' out | Various Artists, Orchestra Heinz Kiessling | E♭ Major | 7 | 5B | 153 BPM | ||
| Casino Royale Theme | Herb Alpert | D Major | 5 | 10B | 137 BPM | ||
| Candlelight Serenade | Sam Fonteyn | B Major | 3 | 1B | 94 BPM | ||
| Man Friday | Syd Dale, The KPM Orchestra | C Major | 9 | 8B | 139 BPM | ||
| Caper At the Coffee House | Warren Barker Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| At Last | Ray Anthony | D Major | 5 | 10B | 137 BPM | ||
| Song of India | Tommy Dorsey Orchestra | F Major | 3 | 7B | 169 BPM | ||
| Pizzicato Pluck | Michael Inden | C Major | 0 | 8B | 101 BPM | ||
| Shady Lane | Standard Music Library, Sam Fonteyn | D Minor | 7 | 7A | 186 BPM | ||
| Perdido | Billy May & His Orchestra | C Minor | 3 | 5A | 121 BPM | ||
| Just In Time - Moderate Society | Lester Lanin | F Major | 3 | 7B | 162 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Grand Central | Werner Tautz | B♭ Major | 7 | 6B | 171 BPM | ||
| Changing Moods | Sam Fonteyn | C Major | 2 | 8B | 91 BPM | ||
| Manhattan Spiritual | Reg Owen | A♭ Major | 4 | 4B | 98 BPM | ||
| The Magnificent Seven | The Pied Pipers | F Minor | 7 | 4A | 161 BPM | ||
| High Flyer | Neil Richardson, Gordon Rees | G Major | 8 | 9B | 203 BPM | ||
| Saturday Night and Sunday Morning (From "Saturday Night and Sunday Morning") | Johnny Dankworth | B♭ Minor | 2 | 3A | 110 BPM | ||
| Song Of India | Tommy Dorsey Orchestra | C Major | 4 | 8B | 94 BPM | ||
| The Sound Heard Round the World | Muzak Orchestra | F Major | 4 | 7B | 160 BPM | ||
| Ocean Terminal | Ralph Dollimore | F Major | 6 | 7B | 149 BPM | ||
| Music To Watch Girls By | The Bob Crewe Generation | C Minor | 5 | 5A | 139 BPM | ||
| Relentless Positivity | Jeff Toyne | D Minor | 1 | 7A | 173 BPM |