Lee Tsunoda's ' "Signal Through the Void" was released on its scheduled release date, January 5, 2025. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Signal Through the Void's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lee Tsunoda's "Going to the Moon" album is number 4 out of 5. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Signal Through the Void is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Signal Through the Void by Lee Tsunoda to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morning Kisses | Lou Pardini, Kevyn Lettau | A♭ Major | 5 | 4B | 125 BPM | ||
| OLD PHOTOGRAPH - '09 24bit Digital remastering | Sadao Watanabe | A♭ Major | 5 | 4B | 111 BPM | ||
| Somehow I Found Home | Andreas Aleman | F Major | 7 | 7B | 90 BPM | ||
| For You, For Love | Average White Band | B♭ Major | 6 | 6B | 141 BPM | ||
| Closer Than This | Luna 2710 | A♭ Major | 7 | 4B | 91 BPM | ||
| A Silent Scream | Cut Davis | D♭ Major | 6 | 3B | 108 BPM | ||
| Endless road | Loppy | F Minor | 4 | 4A | 117 BPM | ||
| Tender Love | George Benson | D♭ Major | 4 | 3B | 106 BPM | ||
| Bass Drop | Rhythmic Muse | F Major | 3 | 7B | 108 BPM | ||
| In This Neighbourhood | Workshy | B Major | 3 | 1B | 73 BPM | ||
| My Life With You | Greg Roz | E Minor | 3 | 9A | 69 BPM | ||
| It Was Already Expected | The Smoothies | A♭ Major | 4 | 4B | 138 BPM | ||
| We're on to Something | Lauren Wood | B♭ Major | 7 | 6B | 131 BPM | ||
| Bewitched | Workshy | G Major | 4 | 9B | 121 BPM | ||
| This Could Be Real | Richard Elliot | F♯ Major | 8 | 2B | 88 BPM | ||
| Eternal Voyage | Lee Tsunoda | B♭ Minor | 5 | 3A | 98 BPM | ||
| Losin' Myself | New Paris | E Minor | 6 | 9A | 99 BPM | ||
| Keep It Alive | Lee Ritenour | F Major | 4 | 7B | 83 BPM | ||
| All Behind Us Now | Patti Austin | A♭ Major | 7 | 4B | 81 BPM | ||
| One of These Days | Tom Grant | G Minor | 6 | 6A | 170 BPM | ||
| Slippin' on the Dance Floor | Tasya Andriani | G Minor | 7 | 6A | 112 BPM | ||
| Please Please Please | Johnny Logan | F Major | 8 | 7B | 96 BPM | ||
| Colors of the Tide | Cut Davis | D♭ Minor | 7 | 12A | 93 BPM | ||
| Fall | Silje | D Major | 3 | 10B | 128 BPM | ||
| Blame It On The Night | Finis Henderson | D♭ Major | 8 | 3B | 95 BPM |