Mathieu Cé's ' "Berceuse Antique No. 1" was released on its scheduled release date, April 9, 2017. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Berceuse Antique No. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Night Music, Vol. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Berceuse Antique No. 1's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Berceuse Antique No. 1 by Mathieu Cé having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's Ok | Patrick Hamilton | C Major | 0 | 8B | 58 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): I. Introduzione adagio e un poco più mosso | Ernst Krähmer, Claudio Ferrarini | C Minor | 0 | 5A | 65 BPM | ||
| Trust (Close Your Eyes) | The Wong Janice | C Major | 0 | 8B | 140 BPM | ||
| Clarinet Sentiment | Uli Doenitz | C Minor | 0 | 5A | 65 BPM | ||
| Hazily Hovering | Framed By Stars | C Minor | 0 | 5A | 65 BPM | ||
| Weightless Ground | Sand & Silence | C Minor | 0 | 5A | 65 BPM | ||
| Lyric Piece for Ukulele No. 3 | Mathieu Cé | D Minor | 0 | 7A | 110 BPM | ||
| Part VII: Haunting Echoes | Claude Pendereich | D Minor | 2 | 7A | 91 BPM | ||
| Cozy Chords | Lo-Fi Dreamy Violin, Lo-Fi Music, Serene Strings Collective | D Major | 1 | 10B | 143 BPM | ||
| Lungta | Reentko Dirks | D Minor | 0 | 7A | 114 BPM | ||
| Enlightenment | Sherry Finzer | F♯ Major | 1 | 2B | 70 BPM | ||
| Peaceful Sleep | Lullaby Sleep | C Minor | 0 | 5A | 65 BPM | ||
| Alhambra: Flute Song in the Islamic Garden | Jane Rutter | B Major | 1 | 1B | 169 BPM | ||
| Duduk in the Night | Meditone Music | C Major | 1 | 8B | 61 BPM | ||
| Don’t Let Me Be Misunderstood | Bennie Benjamin, Sol Marcus, Gloria Caldwell, Ashley Jackson | C Minor | 0 | 5A | 65 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): I. Tema | Saverio Mercadante, Claudio Ferrarini | C Minor | 0 | 5A | 65 BPM | ||
| A Freezing White Mist | Lauri Porra, Mumintrollen | B Minor | 0 | 10A | 59 BPM | ||
| Nocturne I | Jane Antonia Cornish, Decoda | G Minor | 1 | 6A | 85 BPM | ||
| Julian Cochran - Prelude No. 14 / “Hendese" for String Quartet or String Orchestra (Shoven Quartet) | Julian Cochran, Shoven Quartet | C Minor | 2 | 5A | 107 BPM | ||
| Crossing the Nile | Roberto Lorenz, Traditional | D Minor | 6 | 7A | 168 BPM | ||
| Lullaby | Anders Paulsson | E♭ Major | 0 | 5B | 67 BPM | ||
| Ode to the Spring Queen | Them Drunkin Bonzes | F Major | 1 | 7B | 114 BPM | ||
| Mibuno Vale | Blades Without Sound | C Minor | 0 | 5A | 65 BPM | ||
| Ecos de la Torá – Tehillim Viviente | Jehú J. Pinares | D Minor | 1 | 7A | 114 BPM | ||
| Unha illa no medio do mar | Margarida Mariño | A♭ Minor | 4 | 1A | 117 BPM |