Anette Askvik's ' "Blue Lights" was released on its scheduled release date, March 7, 2011. This song is quite longer than the average track at 5 minutes and 53 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in Anette Askvik's "Liberty" album is number 5 out of 10. In terms of popularity, Blue Lights is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Blue Lights by Anette Askvik to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barangrill | Ian Shaw | G Major | 2 | 9B | 179 BPM | ||
| The Other Shore - Acoustic | Lamb | G Minor | 1 | 6A | 86 BPM | ||
| Under the Judas Tree | Yael Deckelbaum | G Major | 2 | 9B | 104 BPM | ||
| I Don't Know Why | Chris Jones, Steve Baker | E Major | 4 | 12B | 140 BPM | ||
| The Man You Were | Shirley Horn | E Minor | 1 | 9A | 100 BPM | ||
| Lyden av snø | Anette Askvik, Ole-Bjørn Talstad, Mathias Eick | D Minor | 1 | 7A | 67 BPM | ||
| Walking on the Moon | Yuri Honing Trio, Tony Overwater, Joost Lijbaart | C Major | 1 | 8B | 124 BPM | ||
| Cichy Zapada Zmrok (Here Comes the Silent Dusk) | Pat Metheny, Anna Maria Jopek | B Minor | 2 | 10A | 89 BPM | ||
| We Still Grow | Gare Du Nord | C Major | 3 | 8B | 97 BPM | ||
| I Heard an Angel Singing | Cécile Verny Quartet | E♭ Major | 4 | 5B | 108 BPM | ||
| Don't Let Me Be Misunderstood | Aga Zaryan | B Minor | 2 | 10A | 77 BPM | ||
| Magnetic Lies | Malia, Boris Blank | D Major | 5 | 10B | 160 BPM | ||
| Colliding into One (Live) | Kaz Hawkins, Sam York | E Minor | 0 | 9A | 107 BPM | ||
| Roadhouses & Automobiles | Chris Jones, Steve Baker | C Major | 2 | 8B | 137 BPM | ||
| Remember Me | Rebecca Pidgeon | E♭ Major | 2 | 5B | 101 BPM | ||
| Burn It Down | Curtis Stigers | F♯ Major | 3 | 2B | 142 BPM | ||
| Blown Away | Sivert Høyem | C Minor | 1 | 5A | 94 BPM | ||
| London Paris Cardiff | Dominic Miller | F♯ Major | 1 | 2B | 126 BPM | ||
| Black Nights | Doug MacLeod | G Major | 0 | 9B | 49 BPM | ||
| The Source Of Now | Tord Gustavsen, Simin Tander, Jarle Vespestad | C Major | 0 | 8B | 104 BPM | ||
| We Haven't Found Our Way Back Home | Kristin Asbjørnsen | E Major | 6 | 12B | 100 BPM | ||
| Comme un tango | Vincent Belanger, Anne Bisson | G Major | 1 | 9B | 63 BPM | ||
| Music Is the Only Language | Katja Werker | A Major | 3 | 11B | 121 BPM | ||
| (Would You) Break My Heart | Sara K. | D Major | 3 | 10B | 105 BPM | ||
| Kiss In Blue | Yello, Heidi Happy | B Minor | 6 | 10A | 180 BPM |