"Jane Eyre: Jane's Farewell (Rochester's Confession)" by Bernard Herrmann, Slovak Radio Symphony Orchestra, Adriano had its release date on August 8, 1994. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Bernard Herrmann's "Herrmann: Jane Eyre" album is number 19 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Jane Eyre: Jane's Farewell (Rochester's Confession) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jane Eyre: Jane's Farewell (Rochester's Confession) by Bernard Herrmann, Slovak Radio Symphony Orchestra, Adriano to be Lento (slowly) because the track has a tempo of 53 BPM, a half-time of 26BPM, and a double-time of 106 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| The Neckless, Return & Finale | Muir Mathieson, Muir Mathieson Studio Orchestra, Bernard Herrmann | G Major | 0 | 9B | 83 BPM | ||
| Thank God for the Rain | Bernard Herrmann | D Minor | 1 | 7A | 113 BPM | ||
| Punch Drunk Melody | Punch-Drunk Love | A Minor | 0 | 8A | 113 BPM | ||
| Casey's Song | Justin Hurwitz | F Major | 2 | 7B | 80 BPM | ||
| Isla (The Sapphic Sleep) | Alejandro Jodorowsky | E♭ Minor | 2 | 2A | 72 BPM | ||
| The New York City Ghost - Instrumental | Herbie Harper | G Major | 1 | 9B | 114 BPM | ||
| Dance and Angela | Franz Waxman | B♭ Minor | 2 | 3A | 107 BPM | ||
| Dixieland - Bande originale du film "À bout de souffle" | Martial Solal | F Minor | 5 | 4A | 99 BPM | ||
| L'amour la mort - Bande originale du film "À bout de souffle" | Martial Solal | C Major | 2 | 8B | 117 BPM | ||
| Hiroshima, mon Amour – part.1 | Giovanni Fusco | C Major | 4 | 8B | 104 BPM | ||
| Cosmópolis | Gabriel Andrés Gallegos | B♭ Major | 1 | 6B | 139 BPM | ||
| Space Station Docking - From "2001: A Space Odyssey" | Alex North | A Minor | 2 | 8A | 102 BPM | ||
| Nature Waltz | Sven Libaek | G Major | 1 | 9B | 109 BPM | ||
| Gumshoe Blues | Paul Pritchard | F Minor | 2 | 4A | 142 BPM | ||
| La notte muore (orchestra) | Sandro Brugnolini | F Major | 1 | 7B | 79 BPM | ||
| Les Fusées | Alain Goraguer | E♭ Major | 4 | 5B | 130 BPM | ||
| Syncopes | Gabriel Yared | D Minor | 1 | 7A | 48 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Scenery | Ryo Fukui | D Minor | 1 | 7A | 67 BPM | ||
| Able-Bodied Seamen | Jonny Greenwood | B♭ Minor | 3 | 3A | 119 BPM | ||
| I Want To Talk About You | Ryo Fukui | A♭ Major | 2 | 4B | 115 BPM | ||
| The Necklace / The Return / Finale (From "Vertigo”, 1958 Film Score) | Muir Mathieson, London Symphony Orchestra | C Minor | 1 | 5A | 77 BPM | ||
| Chinatown | Nicholas Payton | C Major | 3 | 8B | 99 BPM | ||
| When I Wake | Justin Hurwitz | D Major | 2 | 10B | 138 BPM |