"You Were Always The Strong One In Our Family" by Carly Paradis had its release date on November 3, 2024. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Until I Kill You (Original Television Soundtrack)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. You Were Always The Strong One In Our Family is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You Were Always The Strong One In Our Family by Carly Paradis having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scars | Daniel Pemberton | D Major | 4 | 10B | 120 BPM | ||
| Limited Casualties | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Chuck Warpath | Brendan Angelides, Eskmo | B Minor | 2 | 10A | 135 BPM | ||
| Always Unforgotten | Michael Price | E♭ Major | 1 | 5B | 82 BPM | ||
| Ticking Clocks | Universal Production Music | B Minor | 3 | 10A | 156 BPM | ||
| Blended | Eldar Dadashov, Edmelody | B Minor | 2 | 10A | 74 BPM | ||
| Terrible Decision | Verdes Atardeceres | C Major | 4 | 8B | 100 BPM | ||
| The Confession | Danny Bensi, Saunder Jurriaans | D Minor | 0 | 7A | 113 BPM | ||
| Clouds - Theme | Solomon Grey | C Minor | 1 | 5A | 70 BPM | ||
| Danny | Ólafur Arnalds | G Minor | 0 | 6A | 110 BPM | ||
| Whit and Amy / Time Visit #2 | Theodore Shapiro | G Minor | 1 | 6A | 154 BPM | ||
| Meant to Be | Jamin Winans | E♭ Major | 1 | 5B | 79 BPM | ||
| In This Together | Rupert Gregson-Williams | G Minor | 1 | 6A | 120 BPM | ||
| Line of Duty Opening Title Theme | Carly Paradis | B♭ Minor | 0 | 3A | 72 BPM | ||
| Noble Force | Ian Livingstone | F Major | 2 | 7B | 120 BPM | ||
| Planet X | Anže Rozman, Andrew Christie | A♭ Major | 2 | 4B | 164 BPM | ||
| The Secret Meeting | Sam Watts | B♭ Major | 1 | 6B | 96 BPM | ||
| And Then There Were None | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Vegetarian Cocktail | Carly Paradis | E Minor | 3 | 9A | 103 BPM | ||
| Tension Underscore | AfterHours Audio | C Major | 1 | 8B | 67 BPM | ||
| Life Goes On | Lele Marchitelli | A Major | 0 | 11B | 58 BPM | ||
| Welcome to Lunar Industries (Three Year Stretch....) | Clint Mansell | C Major | 3 | 8B | 115 BPM | ||
| We're Coming For You | Sam Watts | D Major | 4 | 10B | 114 BPM | ||
| The Road Ahead | Rob Simonsen | F Minor | 2 | 4A | 106 BPM | ||
| I’ve Found Dan | David Martijn | E Minor | 0 | 9A | 71 BPM |