Pt. Rattan Mohan Sharma's ' "Maiyya Mohe Daoo Bahut Khijayo" was released on its scheduled release date, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pt. Rattan Mohan Sharma's "Gopaal" album is number 4 out of 10. On top of that, France appears to be the country where this track was created. Maiyya Mohe Daoo Bahut Khijayo is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Maiyya Mohe Daoo Bahut Khijayo by Pt. Rattan Mohan Sharma to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mandir Taru | Nidhi Dholakia | E♭ Major | 4 | 5B | 96 BPM | ||
| Mere Bihari Mere Banke Sanam | Baba Rasika Pagal | E Major | 7 | 12B | 78 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Karna Sewa Satkaar | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Shani Chalisa | Puran Shiva | E Major | 6 | 12B | 88 BPM | ||
| Ke Patiya Lay Jayat Re | Rajni Pallavi | B♭ Minor | 5 | 3A | 110 BPM | ||
| Ekbar Birajo Go Maa | Ramakrishna Math, Swami Kripakarananda | F Major | 5 | 7B | 170 BPM | ||
| Aarti Shri Padam Tumhari | Vandana Bhardwaj | D Major | 6 | 10B | 91 BPM | ||
| Shreenathji Dhun | Paras Borkhatria | B Major | 6 | 1B | 90 BPM | ||
| Haridwar Mathura Kashi | Sanjayraj, Pramod Medhi | E Major | 5 | 12B | 110 BPM | ||
| Khelat Basant Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Raja Rajeshwari Jaganmohini | Sri Sathya Sai Bhajans | F Major | 4 | 7B | 84 BPM | ||
| Madhuban Ke Mandiron Mein | Rajendra Jain, Jaya Sinha | G Major | 7 | 9B | 78 BPM | ||
| Shyam Mane Chakar Rakho Ji | Sur Shyam Gaushala Rajendra Das ji Maharaj | B♭ Major | 3 | 6B | 124 BPM | ||
| Ram Naam Sukhdai Bhajan Karo Bhai | Rajkumar Vinayak | F♯ Major | 8 | 2B | 89 BPM | ||
| Yeshu Aradhana | Rajesh Chandra | A Major | 6 | 11B | 134 BPM | ||
| Thumak Thumak Manki Nache Re | Anoopam Mission, Sachin Limye | E♭ Major | 6 | 5B | 86 BPM | ||
| Jara Halke Gaadi Haako | Manish Tiwari | D♭ Minor | 3 | 12A | 74 BPM | ||
| Ghadala Dub Jyare Mharo | Rajprabha Pangadiya, Rajbala, Radha Maheshwari | B Minor | 8 | 10A | 142 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| संकर सुवन केसरीनंदन। | Rekha Rao, Ritesh Mishra | A Major | 8 | 11B | 126 BPM | ||
| Chitravati Tata Vishaala Sundara Sai | Connecting Lives | B♭ Minor | 6 | 3A | 85 BPM | ||
| Jai Jai Ganpati | Sumeet Tappoo | F♯ Minor | 5 | 11A | 140 BPM | ||
| Hay Ram Hay Sham | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM |