Cash Call's 'Last Transmission' had a release date set for July 15, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Pursuit Mode". In this album, this song's track order is #4. Furthermore, we believe that the track originated from South Korea. The popularity of Last Transmission is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Last Transmission by Cash Call having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rise Above | EWC, Hollywood Scoring | F Minor | 6 | 4A | 92 BPM | ||
| Gingerton in Danger | Raison Varner | E Minor | 5 | 9A | 120 BPM | ||
| Progresive. Mood Hop | The Supa boy | D♭ Major | 2 | 3B | 178 BPM | ||
| Diferentes Opciones | Caos Ancestral | D Minor | 1 | 7A | 137 BPM | ||
| Minimos Exigidos | Valores Especiales | F Minor | 4 | 4A | 125 BPM | ||
| Little Drummer Girl | nekodex | A♭ Major | 4 | 4B | 140 BPM | ||
| Drop the Weapon | Cash Call | D♭ Minor | 4 | 12A | 160 BPM | ||
| El arquitecto | Yelco Wave | E Minor | 2 | 9A | 132 BPM | ||
| New Orleans | Afiifa | G Minor | 6 | 6A | 105 BPM | ||
| la altagracia | nico marr | F Major | 4 | 7B | 150 BPM | ||
| Whispering Winds | nico marr | A♭ Major | 4 | 4B | 95 BPM | ||
| Duality | Krexii Kartz, RXM1 | A Major | 6 | 11B | 90 BPM | ||
| Rockwell's Garden I | Gareth Coker | D Major | 6 | 10B | 126 BPM | ||
| Aftermath | 祖堅 正慶 | G Major | 4 | 9B | 101 BPM | ||
| Get ready | Cash Call | D Major | 3 | 10B | 94 BPM | ||
| La Situacion | Grandes Tardes | E♭ Minor | 1 | 2A | 82 BPM | ||
| No Eras Tu | SONJAZ POP | C Minor | 1 | 5A | 67 BPM | ||
| ESCALATING CONFLICT | Park Jae Yoon | A Minor | 8 | 8A | 100 BPM | ||
| Moonlit Groove | Ryú Métis, IAN.B, D.Ana | D♭ Major | 2 | 3B | 136 BPM | ||
| Nowhere to Be Found | Philip Ayers | F Minor | 5 | 4A | 140 BPM | ||
| More and More | Cesarias Ariseco | D♭ Major | 5 | 3B | 100 BPM | ||
| Arrival of the Birds (Epic Orchestra) | Mathias Fritsche | E♭ Minor | 2 | 2A | 125 BPM | ||
| 永遠の1ページ | HOYO-MiX | G Major | 2 | 9B | 117 BPM | ||
| Back At The Lab | Bruce Faulconer | A♭ Major | 3 | 4B | 100 BPM | ||
| Passionate Hearts Unite | Perfect, so dystopian | D Minor | 3 | 7A | 146 BPM |