"Appeasing the Chief" by Max Richter had its release date on January 5, 2018. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Appeasing the Chief's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Richter's "Hostiles (Original Motion Picture Soundtrack)" album is number 16 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Appeasing the Chief is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Appeasing the Chief by Max Richter to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beginning of the End Movement I | The Newton Brothers | F Major | 0 | 7B | 74 BPM | ||
| Ecstasy | Theodore Shapiro | C Major | 2 | 8B | 87 BPM | ||
| Warsaw in Ruins | David Schweitzer | D Minor | 6 | 7A | 86 BPM | ||
| Defeated Clown | Hildur Guðnadóttir | G Major | 2 | 9B | 97 BPM | ||
| The Wrong Flat | Carly Paradis | D♭ Major | 1 | 3B | 135 BPM | ||
| Path 17 (Before the Ending of Daylight) - Pt. 4 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | F Major | 1 | 7B | 71 BPM | ||
| Mysterium | Hammock | C Major | 1 | 8B | 77 BPM | ||
| Soyuz | Steven Price | A♭ Minor | 0 | 1A | 118 BPM | ||
| Amends | Rob Simonsen | A Major | 0 | 11B | 128 BPM | ||
| Not Afraid To Die | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| I Put All That Away | Max Richter | D Minor | 0 | 7A | 184 BPM | ||
| The Past | Rob Simonsen | D♭ Major | 0 | 3B | 86 BPM | ||
| Sunlight | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 2 | 2A | 36 BPM | ||
| Alejandro Saves Isabelle | Hildur Guðnadóttir | D Minor | 1 | 7A | 68 BPM | ||
| Finding the Way Back | Rob Simonsen | E Major | 6 | 12B | 90 BPM | ||
| Imagining Buffalo | Ryuichi Sakamoto, alva noto, Bryce Dessner | A Major | 1 | 11B | 68 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Elegy for Refugees | Dario Marianelli | E Major | 3 | 12B | 86 BPM | ||
| Lagging Behind | Marc Streitenfeld | A Major | 2 | 11B | 138 BPM | ||
| Epilogue | Dario Marianelli | E Minor | 1 | 9A | 100 BPM | ||
| Consequences & Loss | Antonio Pinto | A Major | 2 | 11B | 125 BPM | ||
| Big League | Mychael Danna | A Minor | 1 | 8A | 133 BPM | ||
| More | Mychael Danna | F Major | 1 | 7B | 150 BPM | ||
| The Last Man | Clint Mansell | D Minor | 0 | 7A | 79 BPM | ||
| The Earth Spins | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM |