Aaron Karo's 'I Love the 90s' had a release date set for April 30, 2012. This song is quite longer than the average track at 5 minutes and 39 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in Aaron Karo's "I Need to Tell You Something" album is number 16 out of 18. I Love the 90s is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I Love the 90s by Aaron Karo to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gentlemen Don't Prefer Blondes | Aaron Karo | E♭ Major | 8 | 5B | 116 BPM | ||
| Japan is Half Full | Steve Hofstetter | B♭ Minor | 6 | 3A | 99 BPM | ||
| Can't Complain | Shane Mauss | F♯ Major | 5 | 2B | 101 BPM | ||
| All Aboard the Trans | Drew Lynch | D♭ Major | 5 | 3B | 115 BPM | ||
| Ground Rules | Moshe Kasher | E♭ Major | 7 | 5B | 103 BPM | ||
| Chicks in Ridiculously High Heels | Aaron Karo | B♭ Major | 9 | 6B | 104 BPM | ||
| Genetically Speaking | Dana Gould | F Minor | 6 | 4A | 77 BPM | ||
| The Five Stages of Relationships | Aaron Karo | A Major | 9 | 11B | 80 BPM | ||
| Bar Equity | John Heffron | D♭ Minor | 7 | 12A | 109 BPM | ||
| Moving to the South. | Steve Byrne | D♭ Major | 6 | 3B | 81 BPM | ||
| Afflictions | Ryan Stout | E Major | 7 | 12B | 64 BPM | ||
| The Night Is Dark | Ian Bagg | D♭ Minor | 8 | 12A | 80 BPM | ||
| Hunting in Wisconsin | Tim Harmston, Dry Bar Comedy | D Major | 8 | 10B | 83 BPM | ||
| The Most Romantic Story Ever Told, Pt. 2 | Brian Posehn | D♭ Major | 5 | 3B | 106 BPM | ||
| A Swastika, A Barista, And the Magic of Photography | Myq Kaplan | E Major | 9 | 12B | 94 BPM | ||
| Intro | Bret Ernst | G Minor | 6 | 6A | 90 BPM | ||
| We Can't Kill Married People | Aaron Karo | D♭ Minor | 8 | 12A | 84 BPM | ||
| My Grandma and the Booty Clap | Rachel Feinstein | G Minor | 2 | 6A | 101 BPM | ||
| Disconnected During Phone Sex | Aaron Karo | C Major | 9 | 8B | 88 BPM | ||
| Beer Goggles and Self Destructive Behavior | Erikka Innes | A♭ Major | 8 | 4B | 141 BPM | ||
| Baseball Cards | Andi Smith | E♭ Major | 4 | 5B | 105 BPM | ||
| DUI/Circumcised | Chris Maddock | A Major | 6 | 11B | 108 BPM | ||
| True Independent | Bret Ernst | F♯ Major | 4 | 2B | 90 BPM | ||
| Smashed Pennies | Paul F. Tompkins | B Major | 6 | 1B | 87 BPM | ||
| Nobody Likes Your Bangs | Aaron Karo | A Major | 5 | 11B | 74 BPM |