On May 28, 2005, the song "Mhare Haathra Jhala" was released by Rekha Rao. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rekha Rao, Kumar Vishu's "Gorband Vol-1" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Mhare Haathra Jhala is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mhare Haathra Jhala by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhajo Re Man Govinda | Devi Neha Saraswat | B♭ Minor | 7 | 3A | 102 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Mujhko Nandi Bana Le | Shekhar Jaiswal | G Major | 7 | 9B | 90 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Bol Jaikare Re Bol Jaikare | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Aaj Mangalvar Hai Mahaveer Ka Vaar Hai | Rakesh Kala | C Major | 7 | 8B | 95 BPM | ||
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Badi Dur Teri Gokul Nagri | Mridul Krishan Shastri | E Major | 5 | 12B | 137 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Sanware Tu Vada Kar - Shyam Bhajan | Sheetal Pandey | C Major | 6 | 8B | 90 BPM | ||
| Mujhe Charno Se Lagale | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 81 BPM | ||
| Main Barsane Ki Chhori | Ramdhan Gujjar, Bhawana | D♭ Minor | 9 | 12A | 128 BPM | ||
| Rang Tune Prem Ka | Sanjay Pareek | B♭ Major | 9 | 6B | 79 BPM | ||
| Nach Len De Menu | Ram Kumar Lakkha | F♯ Major | 8 | 2B | 120 BPM | ||
| Do Baat Karunga Krishan Te | Anu | B♭ Minor | 8 | 3A | 120 BPM | ||
| Durge Maiya We - Uttarakhandi | Khushi Joshi | B♭ Major | 10 | 6B | 144 BPM | ||
| Mhari Deraniya Jethaniya Roosgi Re | Rekha Rao | B Major | 7 | 1B | 107 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Chhailo Jhala Dair Bulave | Seema Mishra, Mukesh Bagda | D♭ Minor | 6 | 12A | 79 BPM | ||
| Hey Jaharpeer Mane Charno Mein | Pt. Ram Avtar Sharma, Rekha Rao | F Minor | 9 | 4A | 98 BPM | ||
| Aayo Nand Gaon Se Khelan Holi | Gaurav Krishna Goswami | F Minor | 9 | 4A | 126 BPM | ||
| Man Ka Meet | Sheetal Pandey | D♭ Major | 7 | 3B | 77 BPM | ||
| Shiv Amritwani 2 | Chetna | F Major | 6 | 7B | 140 BPM | ||
| Mara Sanvariya Ke Note Ganera Thoda Thoda Sab Ne Bate Re | Balkishan Prajapat, Sarita Parjapat | F Minor | 8 | 4A | 144 BPM |