"Just Another Day In May" by Peter Finger had its release date on 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Open Strings". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Just Another Day In May's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Just Another Day In May by Peter Finger having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dolphins | Don Ross, Andy McKee | E Major | 4 | 12B | 113 BPM | ||
| Free Fall | Larry Pattis | G Major | 3 | 9B | 132 BPM | ||
| The Way You Look Tonight | Martin Taylor | D Major | 1 | 10B | 113 BPM | ||
| Bad Cat | Clive Carroll, Jan Cyrka | E♭ Minor | 1 | 2A | 130 BPM | ||
| April | Michel Haumont | A Major | 2 | 11B | 97 BPM | ||
| LAS | Leo Nicastri | D Major | 3 | 10B | 138 BPM | ||
| Dog Eared Days | James Filkins, Michael Manring | D Major | 3 | 10B | 144 BPM | ||
| Moran's Return | Pat Kirtley | F Major | 3 | 7B | 82 BPM | ||
| Back to Nashville | Franco Morone | G Major | 4 | 9B | 92 BPM | ||
| Unvergesslich | Peter Finger | G Major | 2 | 9B | 130 BPM | ||
| Liminal Memory Gate | Nomadic Shadow | G Major | 2 | 9B | 90 BPM | ||
| At the Meeting House | Julian Lage & Chris Eldridge | D Major | 3 | 10B | 144 BPM | ||
| Breaking Of The Shells | Billy McLaughlin | F♯ Minor | 1 | 11A | 99 BPM | ||
| A Fresh Wind (for Etsuko) | Cary Lewincamp, Etsuko Sakai | F♯ Major | 3 | 2B | 134 BPM | ||
| Steady Proof | Julian Lage & Chris Eldridge | D Major | 3 | 10B | 144 BPM | ||
| Dreamy Hugs and Kisses | Calmly | D Major | 2 | 10B | 205 BPM | ||
| Even When It Rains | Peter Janson | D Major | 1 | 10B | 147 BPM | ||
| Branches | Al Petteway, Amy White, Bonnie Rideout, Maggie Sansone, Eric Rigler, Abby Newton | G Minor | 2 | 6A | 147 BPM | ||
| Le Voyage De Giselle | Franco Morone | D♭ Major | 1 | 3B | 128 BPM | ||
| Dandelions - Instrumental | Muriel Anderson | G Major | 0 | 9B | 81 BPM | ||
| Crossing Roots | Peter Finger | C Major | 2 | 8B | 125 BPM | ||
| Escape | Jack Jezzro, Jacob Jezioro | C Major | 2 | 8B | 87 BPM | ||
| Streets of Sunday | Vin Downes | E Major | 2 | 12B | 105 BPM | ||
| Everything Ahead | Vin Downes | E Major | 2 | 12B | 157 BPM | ||
| Merrily Kissed the Quaker & Cunla | Pierre Bensusan | E Major | 3 | 12B | 129 BPM |