"Everything to Me" by Heather Rigdon had its release date on March 20, 2014. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 8 in Everything to Me by Heather Rigdon. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Everything to Me is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everything to Me by Heather Rigdon is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Que Sera Sera (Whatever Will Be Will Be) | Bria Skonberg | A♭ Major | 2 | 4B | 111 BPM | ||
| Someone I Knew | Gordon Haskell | A Major | 3 | 11B | 96 BPM | ||
| Breakdown | Kandace Springs | F♯ Minor | 3 | 11A | 137 BPM | ||
| Pretend | Shelby Lynne | B Minor | 1 | 10A | 146 BPM | ||
| Distant Lover | Vanessa Fernandez | E Major | 2 | 12B | 139 BPM | ||
| Time to Move On | Anette Askvik | C Major | 1 | 8B | 104 BPM | ||
| We're Still Living In The City | Beth Hart | F♯ Major | 2 | 2B | 72 BPM | ||
| I Have Nothing Left for You | Ida Sand, Stockholm Underground, Nils Landgren | C Major | 1 | 8B | 125 BPM | ||
| I Like My Coffee Black | The Tiki Delights, Heather Rigdon | D♭ Major | 3 | 3B | 138 BPM | ||
| Time To Go Home | Hannah Svensson, Jan Lundgren, Ewan Svensson, Matz Nilsson, Zoltan Csorsz | A Minor | 1 | 8A | 103 BPM | ||
| Pins And Needles | Kristina Train | G Major | 4 | 9B | 151 BPM | ||
| Crazy | Cassandra Wilson | D♭ Major | 1 | 3B | 167 BPM | ||
| The Long and Winding Road | Sinne Eeg, Thomas Fonnesbæk | F Major | 1 | 7B | 78 BPM | ||
| My Mood Is You | Freddy Cole | A♭ Major | 1 | 4B | 117 BPM | ||
| Baby Can I Hold You | Andy Ezrin, Valerie Joyce | F Major | 2 | 7B | 82 BPM | ||
| Wanting You | Mark Sholtez | D Major | 2 | 10B | 142 BPM | ||
| I Missed You Today | Erin Boheme | B♭ Major | 5 | 6B | 172 BPM | ||
| The Very Thought Of You | Lara Louise | F♯ Major | 1 | 2B | 74 BPM | ||
| Take on Me | Kaiak | B♭ Minor | 4 | 3A | 119 BPM | ||
| I Can't Be Left Alone | The Tiki Delights, Heather Rigdon | B Minor | 4 | 10A | 141 BPM | ||
| Power to Choose | Emilie Schiøtt | A Major | 5 | 11B | 152 BPM | ||
| Don't You Read Me Wrong | Emilie Schiøtt | D Major | 4 | 10B | 107 BPM | ||
| A Million Kisses Late | Matt Dusk | A♭ Major | 2 | 4B | 142 BPM | ||
| I Miss You Like Paris | Heather Rigdon | A Major | 2 | 11B | 80 BPM | ||
| In Your Eyes | Lydia Gray | D Major | 4 | 10B | 89 BPM |