"Pieta" by Ester Mägi, VHK keelpilliorkester, Rasmus Puur had its release date on March 29, 2024. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 20 in Ester Mägi by Ester Mägi, VHK keelpilliorkester, Rasmus Puur. Going off of the ISRC code of this track, we detected that the origin of this track is from Estonia. Pieta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pieta by Ester Mägi, VHK keelpilliorkester, Rasmus Puur is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A♭ Major | 0 | 4B | 96 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| MAGNIFICAT: VII. Gloria Patri | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss | A Minor | 1 | 8A | 173 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | A♭ Major | 0 | 4B | 96 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | B♭ Minor | 0 | 3A | 82 BPM | ||
| Symphony: I. Allegro Assai | Ester Mägi, Estonian National Symphony Orchestra, Mihkel Kutson | A Major | 3 | 11B | 150 BPM | ||
| Trattenimenti per camera, Op. 22: Ballo delle Ombre | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | ||
| Beni Mora, Op. 29, No. 1: II. Second Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 0 | 4B | 133 BPM | ||
| All-night Vigil, Op. 37: No. 13, Today Salvation Has Come | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Minor | 1 | 7A | 128 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | G Minor | 0 | 6A | 139 BPM | ||
| Jūra, MKČ 102: II. Exposition, Secondary Theme | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Môtisklused - Ônn on niin ligi | Various Composers, Ester Mägi, Suomen Nuorisokuoro - Finlands Ungdomskör, Elisa Huovinen | G Major | 1 | 9B | 76 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | F Major | 1 | 7B | 76 BPM | ||
| Pärt: Fratres (1991 Version for String Orchestra and Percussion) | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 180 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM |