Ravindra Jain, Mahendra Kapoor's ' "Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 1" was released on its scheduled release date, January 1, 2007. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ravindra Jain's "Lanka Kaand" album is number 78 out of 94. On top of that, India appears to be the country where this track was created. In terms of popularity, Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 1 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 1 by Ravindra Jain, Mahendra Kapoor to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaikaara Sheranwali Ka | Sonu Nigam, Babla Mehta | E Minor | 5 | 9A | 105 BPM | ||
| Batuk Bhairav Chalisa | Manoj Mishra | F♯ Major | 8 | 2B | 184 BPM | ||
| Kuchh Yaad Karo Apna | Aziz Nazan Qawwal, Kalyanji-Anandji | F Major | 5 | 7B | 78 BPM | ||
| Jaise Suraj Ke Garmi Se | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Walion Men Wali Mukhdoom Sandal | Aziz Nazan Qawwal, Mahendra Kapoor, Amit Kumar | D♭ Minor | 6 | 12A | 98 BPM | ||
| Shankar teri jata se | Maithili Thakur | C Major | 7 | 8B | 127 BPM | ||
| Hind Des Ke Nivasi | Priya, Sai, Molly | F Major | 5 | 7B | 84 BPM | ||
| Bhagwan Meri Naiya Uss Paar Laga Dena PrayerMeet Bhajan | Charan Ji | C Minor | 7 | 5A | 170 BPM | ||
| Shiv Lehri Ke Darbar Me Sabka Khata Hai | Niranjan Pandya | A♭ Minor | 8 | 1A | 86 BPM | ||
| Jagadamba Ghar | Sharda Sinha | F Minor | 6 | 4A | 103 BPM | ||
| Hey Ram Ayodhya Chhodh Ke Van Mat Jao | Ravindra Jain, Satish Dehra, Devika Pandit | A Minor | 6 | 8A | 95 BPM | ||
| Kabhi Dhoop Kabhi Chhaon | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Doob Chalo din Mai doob Chalo | Rakesh Tiwari | A♭ Major | 6 | 4B | 78 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Mahakal ko japne wala | Bittu maharaj | F Major | 9 | 7B | 150 BPM | ||
| Aye Watan Tere Liye | Kavita Krishnamurthy, Mohammed Aziz, Laxmikant–Pyarelal | A Major | 7 | 11B | 95 BPM | ||
| Preenayamo Vasudevam | Daasoham | C Major | 5 | 8B | 150 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Are Ja Re Hat Natkhat | Asha Bhosle, Mahendra Kapoor, Bharat Vyas | B Major | 6 | 1B | 149 BPM | ||
| Hare Ram Hare Ram | Pujya Rajan Ji Official | B♭ Minor | 8 | 3A | 130 BPM | ||
| Jai Shambhu Nath Digmbram | Mrityunjay Hirmeth | D♭ Major | 4 | 3B | 68 BPM | ||
| Dilruba Dilruba | Hemlata, Ravindra Jain | A♭ Major | 4 | 4B | 96 BPM | ||
| Anand No Garbo Full Gujarati | Fast | SPECIAL FOR PATH | આનંદનો ગરબો | Hari cassettes | D♭ Major | 7 | 3B | 120 BPM | ||
| Aga Imala | Usha Mangeshkar, Mahendra Kapoor | D Major | 5 | 10B | 86 BPM | ||
| Sarangay Namoh Namah | Arun Dangle | E Major | 5 | 12B | 111 BPM |