"End Theme" by David Wittman had its release date on February 9, 2013. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 23 in Empire State (Original Motion Picture Soundtrack) by David Wittman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. End Theme is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of End Theme by David Wittman is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unbelievable | Thomas Morse, David Wittman | A Minor | 2 | 8A | 105 BPM | ||
| Coffee After Midnight | Diner Express | D Minor | 2 | 7A | 128 BPM | ||
| Coming Home - Alternative Version | Blue Munk The Mathematikal | A Major | 4 | 11B | 63 BPM | ||
| Harlem - From "Ernest Cole: Lost and Found" | Alexei Aigui | D Minor | 2 | 7A | 70 BPM | ||
| NightSleep | EITOBGM | A Major | 7 | 11B | 81 BPM | ||
| Race for Life | David Wittman, Marish Elad | F Major | 6 | 7B | 140 BPM | ||
| Agent Ferel & Cie | Mathieu Lamboley | F Minor | 3 | 4A | 88 BPM | ||
| No Matter What - Instrumental | Why's Up | A Minor | 2 | 8A | 116 BPM | ||
| Pollyanna | Oakwood Station | C Major | 2 | 8B | 160 BPM | ||
| Future Battlegrounds | David Wittman | D♭ Major | 6 | 3B | 100 BPM | ||
| Bouchon a fourcè | Walter Ricci | A Major | 7 | 11B | 81 BPM | ||
| Gravura Livre | Sons Do Sul | E Minor | 6 | 9A | 175 BPM | ||
| Night Howl | Martin Landström, Gustav Lundgren | F Minor | 4 | 4A | 132 BPM | ||
| Mare Adriatico | Juergen Reiter | A Major | 7 | 11B | 81 BPM | ||
| In Your Arms | Devin Holloway | C Major | 3 | 8B | 90 BPM | ||
| On the Balcony | Lopé | D Major | 5 | 10B | 80 BPM | ||
| Day Away | David Wittman, Eric Michael Janson | B♭ Minor | 9 | 3A | 110 BPM | ||
| Soul to Soul | Wendy Marcini | A♭ Major | 5 | 4B | 81 BPM | ||
| mercedes | is it sunday? | A Minor | 3 | 8A | 83 BPM | ||
| The Scam | Wendy Marcini, Elvin Vanguard | G Major | 5 | 9B | 100 BPM | ||
| Nocturne for Nine Lives | Noir Jazz Cats | G Major | 1 | 9B | 142 BPM | ||
| Blues Brujo Bátiz | Tino Contreras | G Minor | 5 | 6A | 128 BPM | ||
| Sneak Attack | Aashish Pathak, David Wittman | B♭ Minor | 5 | 3A | 95 BPM | ||
| Nostalgic | Rossier | F Major | 2 | 7B | 130 BPM | ||
| The Gala Plan | Daniel Pemberton | D Minor | 8 | 7A | 124 BPM |