Rajeev Raj Aditya's ' "Mere Paapon Ko Sai" was released on its scheduled release date, February 21, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajeev Raj Aditya, Suresh Wadkar's "Mere Sai Baba" album is number 11 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Mere Paapon Ko Sai's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mere Paapon Ko Sai by Rajeev Raj Aditya to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Man Narayan Hari Bhaj Man Narayan Hari | Chetna | G Major | 8 | 9B | 98 BPM | ||
| Tu Hi Tu Hi Nirankari Song - Hindi | Karan Kumar Nm, Karan Kumar | B Major | 6 | 1B | 146 BPM | ||
| DJ Bajale Bhai | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM | ||
| Bol Mahadev Bol | Osman Mir | D♭ Minor | 7 | 12A | 108 BPM | ||
| Chalo Virandavan | Ramkumar Lakha | G Minor | 8 | 6A | 120 BPM | ||
| Tura Mohini Khawae | Chaya Chandrakar | D♭ Major | 8 | 3B | 92 BPM | ||
| Mere Mitne Ka | Dilshad Zakhmi | F♯ Major | 8 | 2B | 86 BPM | ||
| Vrindavan Ke Baanke Bihari | Anuradha Paudwal | B♭ Minor | 5 | 3A | 92 BPM | ||
| Ek Jug Se | Kunal Chanchal | D♭ Major | 9 | 3B | 88 BPM | ||
| Karni Mata Ki Chirja | Satish Dehra | E♭ Minor | 4 | 2A | 82 BPM | ||
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Bhej Dena Bulava Mujhe | Rajeev Raj Aditya, Anuradha Paudwal | A♭ Major | 7 | 4B | 95 BPM | ||
| Har Har Shambhu | Anil Pathak | B Minor | 9 | 10A | 80 BPM | ||
| Shree Shyam Baba Ki Aarti | Tara Devi | D♭ Major | 9 | 3B | 100 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| नगरी हो अयोध्या सी रघुकुल सा घराना हो | Shubhangi Joshi | D♭ Major | 5 | 3B | 120 BPM | ||
| He Gurudev Pranam Aapke Charno Me | Sikha Mathur | A Minor | 8 | 8A | 150 BPM | ||
| Kailas ke nivasi | Ayodhyadas Nimavat | D♭ Minor | 5 | 12A | 109 BPM | ||
| Mnn Mera lofi | DARBS MUSIC | F Minor | 6 | 4A | 99 BPM | ||
| Bewafa Tha Wafa Bhi Kya Karta | Dilshad Zakhmi | G Minor | 8 | 6A | 108 BPM | ||
| Apoman | Bari Siddiqui | G Major | 7 | 9B | 108 BPM | ||
| Aaee Mahakumbh Ki Bela | Rajeev Raj Aditya | B♭ Major | 10 | 6B | 138 BPM | ||
| Barsaat | Sanjay Kirade, Heena Dawar | G Major | 6 | 9B | 125 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| Hey Shaneshwar Kar Do Kshama | Rajeev Raj Aditya | B♭ Minor | 8 | 3A | 96 BPM |