"Hours - Version 1" by Alexander Rudd had its release date on May 31, 2024. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 17 in Cavendish Classical presents Cavendish Players: Minimalism, Vol. 3 by Alexander Rudd, Glenn Keiles, Paul Mottram. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Hours - Version 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hours - Version 1 by Alexander Rudd is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Obstruction | Bonnie Grace | D♭ Minor | 6 | 12A | 75 BPM | ||
| One Way Ticket - Instrumental Version | Donald Black, Alexander Rudd | C Major | 4 | 8B | 106 BPM | ||
| Délicieux | Christophe Julien | G Major | 1 | 9B | 117 BPM | ||
| From Small Beginnings | Paul Reeves | D Major | 2 | 10B | 130 BPM | ||
| Solemn | Alexander Rudd | C Major | 4 | 8B | 84 BPM | ||
| Opening Titles | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM | ||
| Aristocrat | Patrick Thomas Hawes | G Major | 1 | 9B | 169 BPM | ||
| Haze | Christian Reindl, Power-Haus | C Major | 4 | 8B | 148 BPM | ||
| London Suite In C Major | Junkie XL | F Major | 6 | 7B | 86 BPM | ||
| Capacity Max 6 Persons | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 173 BPM | ||
| Searching For Salvation | Marco Beltrami, Miles Hankins, Grace Davidson | E Minor | 1 | 9A | 129 BPM | ||
| Pieces of Wood: I | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Kerenza Peacock | E♭ Major | 0 | 5B | 74 BPM | ||
| Forgotten Memories | Zach Lemmon, Alexander Rudd | E Minor | 1 | 9A | 120 BPM | ||
| Born To Be Wild | David Schweitzer | C Major | 2 | 8B | 86 BPM | ||
| Fantasy Voyage (Instrumental) | Alexander Rudd, Zach Lemmon | F Major | 1 | 7B | 126 BPM | ||
| Winning Him Over | David Schweitzer | F Major | 2 | 7B | 80 BPM | ||
| Dark Obsessions | Universal Production Music | A Minor | 5 | 8A | 92 BPM | ||
| Victoria Titles | Martin Phipps, Mediæval Bæbes | F♯ Minor | 2 | 11A | 77 BPM | ||
| Bryce Manor | Nathan Klein, F. Keane | F Minor | 3 | 4A | 139 BPM | ||
| It Happened Here | David Celeste | C Minor | 2 | 5A | 105 BPM | ||
| Antideluvian Life | Meeple Music | B♭ Minor | 5 | 3A | 80 BPM | ||
| Slumberland | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| How Beautiful | Alexander Rudd, Zach Lemmon | B♭ Major | 4 | 6B | 66 BPM | ||
| East Side | Guy Farley | A♭ Major | 4 | 4B | 137 BPM |