Requiem In C Major: XV. Offertorium, Hostias by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Greta de Reyghere, Vincent Gregoire Song Details

Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Greta de Reyghere, Vincent Gregoire's 'Requiem In C Major: XV. Offertorium, Hostias' had a release date set for April 1, 2008. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Requiem In C Major: XV. Offertorium, Hostias's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's "Hasse: Requiem" album is number 15 out of 29. On top of that, France appears to be the country where this track was created. Requiem In C Major: XV. Offertorium, Hostias is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Requiem In C Major: XV. Offertorium, Hostias by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Greta de Reyghere, Vincent Gregoire to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -18.694 dB
Acousticness: 95%
Danceability: 34%
Energy: 9%
Instrumentalness: 27%
Liveness: 11%
Loudness: 69%
Speechiness: 3%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem in C Major / Sequentia: Vc. Mors stupebit	Johann Adolf Hasse, Wiebke Lehmkuhl, Colin Balzer, Cornelius Uhle, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann	B Minor	4	10A	80 BPM
Overture No. 6 in B-Flat Major: II. Largo	Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo	F♯ Major	0	2B	96 BPM
Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Denn du willst kein Opfer haben	Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste	D♭ Major	3	3B	104 BPM
Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina	Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini	G Major	3	9B	123 BPM
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio	Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau	A♭ Major	1	4B	105 BPM
Galuppi: La gelosia: IV. Aria. "Giura il nocchier"	Baldassare Galuppi, Philippe Jaroussky, Artaserse	F♯ Major	3	2B	124 BPM
Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica"	Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations	A Major	3	11B	174 BPM
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro	Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau	A♭ Major	2	4B	99 BPM
Stabat mater: XVI. Inflammatus et accensus	Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally	E Minor	2	9A	68 BPM
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"	Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro	E Major	1	12B	130 BPM
Miserere in C Minor: Quoniam si voluisses (Soprano)	Johann Adolf Hasse, Mária Zádori, Kai Wessel, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Das Kleine Konzert, Hermann Max	B Minor	3	10A	98 BPM
Omphale, Acte I: Air. Calme heureux, agréable paix...	Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen	A♭ Minor	1	1A	81 BPM
Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo	Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann	D Major	0	10B	106 BPM
Miserere in C Minor (Version for Mixed Choir): III. Ecce enim iniquitatibus	Johann Adolf Hasse, Accademia Barocca Lucernensis, Gunhild Alsvik, Remy Burnens, Javier Ulises Illán	D Major	3	10B	124 BPM
Antonio e Cleopatra: Aria. Quel candido armellino (Cleopatra)	Johann Adolf Hasse, Jamie Barton, Ava Pine, Ars Lyrica Houston, Matthew Dirst	B♭ Minor	1	3A	138 BPM
Trio Sonata in C Major, BuxWV 256: II. Allegro	Dietrich Buxtehude, Ensemble Mélero	B Major	2	1B	75 BPM
Stabat Mater, P. 77: II. Soprano. Cuius animam gementem	Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	G Major	1	9B	79 BPM
Chelleri: Dio sul Sinai: "Caderà, perirà" (Dio)	Fortunato Chelleri, Philippe Jaroussky	A♭ Major	3	4B	91 BPM
Nisi Dominus, ZWV 92: Nisi Dominus - World Premiere Recordings	Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Gabriela Eibenová, Filippo Mineccia, Tobias Hunger, Jiri Miroslav Prochazka	A♭ Minor	3	1A	112 BPM
Confitebor tibi	Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Remy Burnens, Alexandre Beuchat, Javier Ulises Illán	D Major	1	10B	102 BPM
Galuppi: La gelosia: III. Recitativo accompagnato. "Son reo, non mi difendo"	Baldassare Galuppi, Philippe Jaroussky, Artaserse	F♯ Major	3	2B	124 BPM
Chacony in G minor Z730	Henry Purcell, Accademia Bizantina, Stefano Montanari	F♯ Major	2	2B	37 BPM
Atys, LWV 53, Act I Scenes 1 & 2: Allons, allons, accourez tous	Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea, Matthew Newlin, Adrien Fournaison	F Minor	3	4A	126 BPM
Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue	Johann Adolf Hasse, Thibault Noally, Les Accents	A Major	2	11B	83 BPM
Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air)	Nikolaus Harnoncourt	D♭ Major	1	3B	76 BPM