"Transcending Antecedent Visions" by Suffering Hour had its release date on February 19, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "The Cyclic Reckoning". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Transcending Antecedent Visions's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transcending Antecedent Visions by Suffering Hour having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mercury (The Virtuous) | Mare Cognitum, Spectral Lore | B♭ Major | 10 | 6B | 165 BPM | ||
| Tides of Oneiric Darkness | Akhlys | G Major | 9 | 9B | 120 BPM | ||
| Antichrist Siege Machine | Antichrist Siege Machine | D♭ Major | 10 | 3B | 134 BPM | ||
| Corpse Acquisition | Abraded | A♭ Major | 10 | 4B | 103 BPM | ||
| I Will Depart | Abigail Williams | G Major | 10 | 9B | 115 BPM | ||
| Eternal Majesty Manifest | Stormkeep | A Minor | 10 | 8A | 186 BPM | ||
| Deluge in Ashes | Phrenelith | A Minor | 10 | 8A | 75 BPM | ||
| Revault of Volts | Portal | D♭ Minor | 10 | 12A | 132 BPM | ||
| Chime Diabolicus | Hooded Menace | C Major | 7 | 8B | 170 BPM | ||
| Blood Offerings | Necrot | G Major | 10 | 9B | 94 BPM | ||
| Exh-Enî Söph (1st Passage – Exiled from Sanity) | Esoctrilihum | C Major | 9 | 8B | 120 BPM | ||
| Gored Embrace (Confronting Biodegradation) | Tomb Mold | E♭ Minor | 10 | 2A | 93 BPM | ||
| Canticle of Ripping Flesh | Pissgrave | E Major | 10 | 12B | 150 BPM | ||
| Ausweg | Serpent Column | G Major | 9 | 9B | 107 BPM | ||
| Cloaked in Nightwinds | Worm | D♭ Major | 8 | 3B | 116 BPM | ||
| The Great Mirage | Uada | B♭ Major | 8 | 6B | 94 BPM | ||
| Terminal Exhalation | Spectral Voice | F Major | 6 | 7B | 127 BPM | ||
| Sepulchral Carrion God | Teitanblood | D Major | 10 | 10B | 95 BPM | ||
| Under the Stench | Coffins | B♭ Minor | 10 | 3A | 123 BPM | ||
| From the Ashes | Gatecreeper | G Major | 9 | 9B | 130 BPM | ||
| Carve | Mortuous | G Minor | 10 | 6A | 99 BPM | ||
| Heliacal Rising | Mare Cognitum | C Major | 10 | 8B | 151 BPM | ||
| Gods Await us | Lvcifyre | D♭ Major | 10 | 3B | 135 BPM | ||
| It's Already Over | Portrayal of Guilt | A Major | 8 | 11B | 154 BPM | ||
| Malevolent Abolition | Primitive Warfare | F♯ Major | 10 | 2B | 132 BPM |