"String Quartet No. 3, Op. 94: IV. Burlesque. Fast - Con fuoco" by Benjamin Britten, Maggini Quartet had its release date on June 28, 1999. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. String Quartet No. 3, Op. 94: IV. Burlesque. Fast - Con fuoco's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 13 in Britten: String Quartet No. 3 & Simple Symphony by Benjamin Britten, Maggini Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, String Quartet No. 3, Op. 94: IV. Burlesque. Fast - Con fuoco is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 3, Op. 94: IV. Burlesque. Fast - Con fuoco by Benjamin Britten, Maggini Quartet is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Introduction | Sir Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 88 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| Vaughan Williams: Job, a Masque for Dancing, Scene 1: Sarabande of the Sons of God | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | D Major | 1 | 10B | 110 BPM | ||
| Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | G Minor | 1 | 6A | 79 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | ||
| Te Deum, WAB 45: II. Te ergo, quaesumus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 85 BPM | ||
| Requiem, Op. 48, N. 97: V. Agnus Dei | Gabriel Fauré, La Chapelle Royale, Philippe Herreweghe, Collegium Vocale Gent, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
| War Requiem, Op. 66: v. Dies Irae - Dies irae | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | C Minor | 0 | 5A | 81 BPM | ||
| Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
| Messe F-Moll, WAB 28: I. Kyrie | Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Winterreise, D.911: 1. Gute Nacht | Franz Schubert, Sir Peter Pears, Benjamin Britten | A Major | 0 | 11B | 78 BPM | ||
| The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Minor | 1 | 12A | 99 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
| Peter Grimes, Op. 33 / Prologue: "You Sailed Your Boat" | Benjamin Britten, Owen Brannigan, Sir Peter Pears, Lauris Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 94 BPM | ||
| Saint Nicolas, Op. 42: The Birth Of Nicolas | Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Minor | 1 | 7A | 171 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
| Stabat Mater, FP 148: XII. Quando corpus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 1 | 1A | 94 BPM | ||
| A Song of the Night, Op. 19, No. 1, H. 74 | Gustav Holst, Janice Graham, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 1 | 9A | 84 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Gloria, FP 177: VI. Qui sedes ad dexteram Patris | Francis Poulenc, Britten Sinfonia, Polyphony, The Choir Of Trinity College, Cambridge, Susan Gritton, Stephen Layton | G Major | 2 | 9B | 81 BPM |