Jan Hammer's 'The Seventh Day' had a release date set for January 27, 1975. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 7 in the song's album "The First Seven Days". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, The Seventh Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Seventh Day by Jan Hammer having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jewel | Propaganda | B Minor | 10 | 10A | 77 BPM | ||
| Roulette | POT, Heupink | F Minor | 9 | 4A | 179 BPM | ||
| Robin (The Hooded Man) (2003 Remaster) | Clannad | D Major | 3 | 10B | 143 BPM | ||
| Where's the Walrus? | The Alan Parsons Project | G Major | 8 | 9B | 110 BPM | ||
| Fletch Theme | Harold Faltermeyer | G Major | 8 | 9B | 100 BPM | ||
| Midnight Express | Moroder | C Minor | 7 | 5A | 77 BPM | ||
| City Of The Angels - From "To Live And Die In L.A." Soundtrack | Wang Chung | C Major | 6 | 8B | 107 BPM | ||
| Avalon | Roxy Music | C Major | 6 | 8B | 137 BPM | ||
| Wait - From "To Live And Die In L.A." Soundtrack | Wang Chung | G Major | 5 | 9B | 104 BPM | ||
| Space Opera Part 1 | Space, Didier Marouani | D Minor | 7 | 7A | 142 BPM | ||
| Lucifer | The Alan Parsons Project | A Minor | 8 | 8A | 121 BPM | ||
| Magic Flight | Pink Project | B Minor | 5 | 10A | 131 BPM | ||
| Theme From Airwolf | Levai | D♭ Major | 10 | 3B | 125 BPM | ||
| Too Shy | Kajagoogoo | F Minor | 7 | 4A | 108 BPM | ||
| Miami Vice Theme | Jan Hammer | G Major | 9 | 9B | 115 BPM | ||
| Each Time You Break My Heart | Nick Kamen | D♭ Minor | 7 | 12A | 117 BPM | ||
| Forever Tonight | Jan Hammer | A Major | 6 | 11B | 138 BPM | ||
| Das Mädchen auf der Treppe - From 'Tatort' Original Television Soundtrack | Tangerine Dream | B Minor | 6 | 10A | 80 BPM | ||
| Fade To Grey - Extended Version | Visage | A Minor | 7 | 8A | 113 BPM | ||
| Leaving Wallbrook/On The Road | Hans Zimmer | C Major | 6 | 8B | 150 BPM | ||
| The Will of the Wind | Vangelis | C Major | 7 | 8B | 145 BPM | ||
| The Year of Living Dangerously | Sergio Presto | D♭ Minor | 4 | 12A | 100 BPM | ||
| Take Me Home - Extended Remix | Phil Collins | A♭ Major | 7 | 4B | 119 BPM | ||
| King Without A Crown | ABC | A Minor | 5 | 8A | 107 BPM | ||
| Sweet Harmony | The Beloved | B♭ Minor | 8 | 3A | 102 BPM |